Archive for the ‘symbolism’ Category

Getting old

October 10, 2019

Are you booting up a brave new world

or slogging in a new slave world?

You who would be brave or slave—

snickery snob or clueless knave?

Catching the new wave

or just trying to behave?

You filling your Capitalist bag,

or flying the Socialist flag?

Working for wages, or plotting for profits?

You dumbing down, or heeding the prophets?

Will you work as selective

or labor in a collective?

With more .gov or less?

destined for worst or best.

You protesting in public space,

or praying in private grace?

All things being equal,

are you satisfied or freakful?

Living as privileged  elite

or just dancing to the rabble beat?

Striving for the common or the proprietary?

will you eat fattening or dietary?

Or maybe you be in shadowland like me

wishing for what was instead of what will be.

Winds of change blow hot and cold;

Will you stay young, or like me, grow old?

Winds of change blow foul and fair;

Are you ready to turn to dust or air?

Winds of change are hard to read;

Can you face them without a creed?

Day of death casts us in the hole;

Will you fall to dust, or rise in soul?

Hollowc

Smoke

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Update: A day in the Life

September 12, 2019

I read a tweet today oh boy

  about a cocky man with a rant parade.

And though the news was really bad

  well I just had to laugh one more time.

I saw the comment thread online.

He blew our minds out with a rant:

  he hadn’t noticed that the Climate Changed.

A crowd of people seethed and stared

  they’d seen the bee ess before

Nobody was really sure if it was from the 1% core.

I saw a video oh boy

  the 1%ers have just scored some more;

A crowd of trollers  were abhorred;

  but I just stole some looks,

  having once read books.

We’d love to lead you o. . . . n.

  SgtPeprs

I woke up, gotta outa bed,

  found a mem, inside my head,

  made my way downstairs and tweeted it,

  and twittering, knew I was a twit.

I made this up, but grabbed my phone;

I posted face,  still felt alone,

Found my way upstairs and caught a streaming;

  somebody spoke and I went into a dreaming, ohhhhhh……

   etcetera etcetera, etcetera, you’ve read the news

I read the web today oh boy:

  four million holes inside our atmosphere.

And though the holes were rather small,

  they had to stop them all.

  Now they know how many holes it takes to fill the global ball.

We’d love to lead you o. . . . on.

           https://www.youtube.com/watch?v=sCbZ15JpxPg   

Glass Chimera

Head in the Clouds

September 10, 2019

Have you ever had  the feeling that our view of things is  somehow clouded ?

CloudDapl

It seems that we are somehow not seeing things rightly; we are missing something; we fail to read the signs of our times correctly.

I think we are similar, in some ways, to that guy the Beatles mentioned . . .

Well on the way

Head in a cloud

The man of a thousand voices

Talking perfectly loud

But nobody ever hears him 

Or the sound he appears to make 

And he never seems to notice . . .”

Or maybe it’s just me. Maybe I’m the fool on the hill.

But one thing I have learned—it’s my story and I’m sticking to it— Somehow each one of us will find life easier to manage if we find a way to see the bright side of any given situation.

Because there are, you know, the storms of life that hover in our expectant travel path . . .

CloudStorm

Let’s be aware of the storms, but not let their darkness totally occlude our hope for brighter horizons to come.

To get a balanced perspective, we need to see the good and the bad in this life. And we do well to strive at  accurately evaluating how those two entities are  opposing each other in any given scenario, or . . . how they may be intertwined as some kind of difficult-to-discern mixed blessing or cluster-fuhgedaboudit.

We oughta take notice of Joni’s observation:

“I’ve looked at life from both sides now, from up and down, and still somehow, it’s clouds’ illusions I recall . . . I really don’t know clouds at all.”

So let us understand that, realistically, we do not fully know clouds—that is to say, metaphorically, life’s ups and downs—at all, even though we may believe that we’ve got it all under control.

For instance, we don’t wanna be stuck on Cloud 9 when Cloud 10 might be the better way to go!

And although many traditions may tell us of an Uncloudy Day, let’s not be sideswiped by that unexpected sidewinder that could, in this present scheme of things, drench us with unmanageable discouragement.

Although we often  catch sight of some new development— that rising cloud the size of a man’s hand—let us keep eyes trained on it long enough to anticipate whether it brings the needed  rain or just fizzles to nothing.

And let us try to evaluate what pursuits are truly helpful in this complicated life. We don’t need to be stuck, for instance, in PC mode when it could have been more advantageous to collectively store whatever good we can find in “the cloud.”

As for me, I’m hoping to, one fine day, be caught up in the clouds with the one who brought me here.

CloudBrite

I surmise that this faith expectation is probably the ultimate “looking on the bright side.”

Glass half-Full

From Andalusia to Zagreb

August 24, 2019

Breeze blew ‘cross Byzantium

   ages ago,

passing passion along from ancient souls

   o’er peninsulas and shoals.

From Alexandria to Andalusia

   it blew the Medi stirring of our arcane East

   by westward winds past the European feast.

So it drifted between Aranjuez and Zagreb

   in periodic flow and ebb

   with rhythmic ebb and flow

   through passionnata on stringéd bow . . .

   https://www.youtube.com/watch?v=g91kQyy4G7E.

   . . . at providential and the muse’ behest,

   and set in sculpting stone: eternal rest;

   portraying Piéta Jesu through Michelangelo,

  Pieta

   as still the women come and go

   ‘cross Eliot’s wasteland scenario.

From Ave Maria in Madrid

   this opus we/they did;

   even SaintSaens’ secular Swan

   summons that age-old bond:

   reflecting melancholic tension

   in existential apprehension

   again and again and again;

   the passion passes

   through striving laborious hands

   in colored or melodic strands.

On moonlit nights;

   sonata strains reflect the light

   from hand to frantic hand

   and back again.

Did history require

   two world wars

   and a string of smaller frays

   to say

   our living legacy dies daily?

Yet does our living tragedy thrive daily,

   in this human soul of frailty.

Why even a saintless ’60’s Superstar

   drove our anguished digression,

   our zeitgeist obsession,

   as passion passed through

   rejected hands again

   as passion passed through

   conflicted lives again

   as passion passes through

   immigrant pathos again

   and again and again

   to reveal those nail-scarred hands again

Again.

   Must be something to it;

   we should not eschew it:

Those despiséd and rejected ones of men–

   again and again and again:

   the passing man of sorrow,

   yesterday, today, tomorrow—

   the woman acquainted with grief,

   through death that steals in like a thief

   the stranger and the strange,

Again and again and again.

Must be something to it;

   we should not eschew it.

Glass half-Full

The Tower of Signals

August 17, 2019

Thousands of years ago, we built a legendary tower, the shadow of which has seemed to darken our human history even unto today.

According to a certain well-known historical source, the Bible . . . the tower of Babel was erected in some location east of the Euphrates River. The region therein has been known since that ancient time by various names:  Chaldea, Shinar, Babylon, and a few other identities, such as the current one, Iraq.

So an ancient tale about the tower of Babel, especially its fall, has been passed down to us through the ages.   The biblical account says that The Tower of Babel’s undoing happened because the people were unable to communicate. So they were not able to get the thing built.

In our modern reflection upon that archaic project, I think what Will Rogers or Mark Twain or Yogi Berra, or some such sage  said, applies:

“What we have here is a failure to communicate.”

It’s an old story, but true.

Nevertheless, I’m here to tell ya that in spite of ourselves we people of the earth have managed to erect some pretty impressive towers here and there throughout the ages.

For instance, notice this  classic religious tower in San Francisco, which happens to be a double.

Spires2Chrch

This structure represents that spirit of religion that dominated our Western culture for a couple of thousand years.

Here’s a Spanish project representing a more contemporary creative impulse toward the divine.

Sagrada

Very impressive. But the era of God-inspired basilica-building has been overtaken by more humanistic projects. Since the so-called Enlightenment in the 18th-century, people have aspired to ideals even loftier than mere religion. This modern emphasis has wrought even higher and higher feats of skyscraping.

BuildSkysc

The long epoch of God-inspired tower-building has been overtaken by a New Age of Man.

CityPhild

And yet, our rising human spirit has morphed itself beyond mere commercial, citified projections. Check out an Olympic objet d’art that the Barcelonans fashioned for the 1992 Olympics:

BarcOlymp

This fluidic rising structure embodies a humanic zeitgeist; it aspires to inspire ascension to world peace—a peace wrought through zealous sports competition instead of bloody wars fought with destructive weapons on muddy battlefields.

Pretty damned impresseve, huh?!

Higher and higher we strive; higher and higher we arrive.

Now in 21st-century AI, We find ourselves in the upper regions of human accomplishment.

Physical upbuilding has now taken a back seat to the loftiness of our ideals.

So we’ve built a stupendous net of ideas, an electronic network that ceaselessly transmits gigabytes of presciently important data around the world. It is a web as ethereal as the sun itself . . . as surreal as a Dali . . .  as real as a Warhol.

And towards this end, we’ve built towers of a different—a new and different—kind:

The Tower

Towers such as this one–structures of ascending human perfectibility– are slavishly repeating signals all day and all night for the benefit of all mankind!

For the benefit of Mr. Kite, ever and ever onward to greater heights!

We hold these spires to be self-evident—that our updated tower-driven secretions will project a worldwide web of human achievement to rise higher than  the Tower of Babel ever did!

Good luck with that.

Glass Chimera

Felix’s Fortress Forté

August 4, 2019

While tuned into radio WDAV a day or two ago . . .

listening to Felix Mendelssohn’s 5th Symphony,

we suddenly discerned a developing  melodic surprise:

gentle strains of a classic religious tune, A Mighty Fortress is Our God . . .  drifting into the 3rd movement of the music.

Twenty-three minutes into this performance,

Orchestra

those first melodic snippets of Luther’s famous hymn—I heard, venturing in discreetly, during the slow Andante phase of Mendelssohn’s 1832 orchestral composition.  By the end of the piece, however, the understated entrance of that well-known melody had morphed into being the very core of the symphony’s dynamic, forceful conclusion.

This gentle arrival of a familiar melody that incrementally develops into a forcefully conclusive forté—this is a composer’s technique found in several classical music masterpieces. . . most notably Beethoven’s (last) 9th Symphony, and a favorite American piece of mine, Aaron Copland’s Appalachian Spring.

In the case of Ludwig van Beethoven’s use of  a developing melodic theme that overpowers all other musical elements, Ludwig used his own emphatic original tune to fortify a potent message of popular 18th-century zeitgeistuniversal brotherhood. The words that Beethoven chose to accompany his theme had been composed by Friedrich Schiller, a primary 18th-century poet of the Romantic period in our western history.

In the similar case of Aaron Copland’s Appalachian Spring, the composer employs a traditional religious melody—the “Shaker” theme, Simple Gifts, as a musical fulcrum for propelling the idea of mere simplicity into a commendable lifestyle.

The emphasis on simplicity is a powerful motivating factor in American history. The Puritans. for instance, who landed at Plymouth Rock in 1620, were fleeing an oppressive European religious straightjacket culture; they wanted to simplify their worship of God and to enable the practice of glorifying our Creator in community life.

Like Felix Mendelssohn, a great composer whose family heritage was Jewish,  20th-century composer Aaron Copland chose to utilize a well-established Christian melody as the basis for  fortifying a powerful musical masterpiece.

In other trends of this earthly life . . . in the realm of, let’s say, political compositions—as compared to musical ones—recently I read a book that represents a similar dynamic of compositional accomplishment. David Horowitz’s timely book, Dark Agenda brings to light a contemporary American Christian culture that is under attack from secularizing—yeah, even aggressively anti-religious—zealots.

Perhaps we simple-minded Christians of this era–as well as those more complex Reformed believers whose reforms originated with Martin Luther five centuries ago–will find fortifying encouragement and strong inspiration in these classically-inclined masterpieces:

~~ Felix Mendelsson’s 5th Symphony

~~ Aaron Copland’s Appalachian Spring,

     oh, and btw. . . honorable mention . . .

~~ Ludwig van Beethoven’s 9th Symphony

King of Soul

what the Original artist did

July 28, 2019

While universe was expanding in all directions, Creator chose one lump and began working with it, rearranging its underneath mass so that water could rise to the surface. The hydrogen/oxygen element would move in a purposeful way instead of just sloshing around.

Creator spun that world into motion so that the sunlight which struck its surface would brighten half of world for a day while allowing the other half to return to darkness during the same interval.

Thus did this division between the lightened side of world and the darkened side establish a cycle which would become known to us as day and night.

Then Creator used the interaction of sunlight and water to introduce an earthly cycle by which water could morph between two different states: liquid and vapor. The liquid would generally flow on, and within, the surface, while the vapor would rise to celestial functions.

This was a heavenly arrangement, although it was happening on crude earth—pretty cool, definitely an improvement over the old lump. Let us just call it day and night. Makes sense to me. You?

Creator was inspired, and so, kept going with it, stirring the flowing waters, gathering them together and thus separating the water from a new thing that was emerging—dry land.

Formless

Thus did we have earth and seas. Once again. . . pretty cool, and btw, cooling; by this stage, progressive processes had definitely been set into motion to produce something worthy of a good narrative.

RockStory

But Creator didn’t stop there. Next thing you know, from out of this developing earth—this interplay between light and dark, active and passive, wet and dry—here comes a new kind of stuff having the coding wherewithal to sprout new stuff never before seen or heard of. Long story short—plant life that could and would regenerate itself on a regular purpose so that Creator could go on to bigger and better things. Awesome!

Jungle1

Through the veggies and their seeds, it was obvious that things were getting better on earth, through the continuing interplay of this very predictable, dependable alternating cycle between light and dark, day and night, active and passive, living and dying.

All in all, not bad for a day’s work, as we say out here in flyover country.

But, hey, that was just the beginning. . .

SSetBrite

Glass half-Full

From Enlightenment to Onlinenment

July 13, 2019

Well gollee y’all, we have collectively moved from the Age of Enlightenment to the Age of Onlinenment.

Liberty! Equality! Universal Brotherhood!

Revolutions (1)

Two or three centuries ago, us civilized Euro-heritage types began figuring out that we no longer needed  the ole Roman church to tell us how to be good and not be bad. We used our enlightened minds to think our way past their ancient religiosity and priestly hoodoo shenanigans; we began to view life in a more Romantic way. We began to  understand that each one of us—each individual—could determine his/her own destiny. We determined that we didn’t need those old priestly neutered fuddy-duds any more to tell us what was right or wrong.

After a while we took our rejection of ancient institutions to the next level. By the time the 20th century rolled in, we had figured out we really didn’t need them uppity kings and queens no more; we ran most of them out of town; we even chopped a few of their royal heads. We were having a grand time making mincemeat of millenia-old royal houses, kings, queens, dukes, duchesses, earls and heiresses. Who needs counts and countesses, marquises and marquesses?

Ferdshot

By mid-20th-century, we had honed in in on the regular politicos and company men, identifying them as superfluous self-serving dead weight dragging the system down. Useless people, the whole lot of ‘em. Throw the bums out, somebody said. Who needs fat cat prime ministers, prejudicial presidents, robber barons, pompous politicians,  corrupt corporate lackeys, or fatcat hackeys? Kick ‘em in the ass on the way out the door. By the 21st-century, each one of us had so much control over our personal domains and our very own sope box social media we didn’t even need the old networks any more to tell us what’s important or not important, what’s real cool and what’s the latest hot fake news, who to vote for, who do idolize, imitate or ingratiate or be infatuated with. Not even needed any more was the advice columnist with personal hoodoo howto and who to mock of fock or hook up wit or who to lock up for fibbing to an inquisitional committee.

Our way-cool Enlightenment about the power and wonder of each one of us to be his/her/its own self through the power of the Faceblook ’n the big Tweet and instahoohoogramaton bet-ya-cant-ketchme electrons had brightened the formerly dull dark of obsequious obesity and ancient animosity, rendering it now unto us a wide wide world wild web of such unprecedented intensity that it was lighting up the whole frickin wide web with digital splendor and electronic genius unparalleled and therefore netting such beautiful neutered people heretofore not known in the anals of time!

And so our three-century long trek out of medieval darkness, having morphed us through the illuminati grandiosity of Enlightenment, past obese obsequiosity, into the very ebullient Age of Romanticism, far beyond classical Hour of the Angels Come, so that now we found ourselves busting forth into this new age of electronic awareness necessity and beyond that being hooked up by hook or by crook, turned on, tuned out, dropped out of proprietary propriety and into absolutely cool quasi-obligatory new world neutering Onlinenment.

The Age of Onlinement!

Aren’t you glad you made it here!

I bet you feel smarter already!

Dingding! See Cashier for receipt. Hook up with one of ojr 64oz shugger shug shug while you’re in.

GasGirl

Glass Chimera

Bridge across Time

July 9, 2019

Setting old stones with new methods lays a solid foundation for future pathways of our life together.

Here’s a Blue Ridge Parkway bridge, near my home, built when I was a kid long ago, in the 1960’s.

BRPHollowa

It’s a well-built public-works project.

Incredible strength was laid into the bridge’s inner structure when concrete was poured around a steel rebar framework. Unseen in the finished structure, the silent steel still contributes to ongoing structural integrity and function. Internal strength assured the bridge’s longevity, allowing the structure to bear up under the heavy demands of continuous motored traffic for many and many a year.

This solid piece of work has been sustaining motored traffic for most of my 68 years.

Use of reinforcing steel roads, tied together with wire like cages, then buried forever with gravel aggregate in solid ‘crete mud, is a relatively new architectural practice in construction history. The internal rebar method was devised by constructors over time, to assure deep integrity and resilience in vast concrete structures.

Such built-in reinforcement has enabled folks to progressively build bigger buildings, longer roads and bridges, as civilization marches on.

BluRiOvPas

This strong, continuous, time-tested concrete underbelly enables motorists to drive without stopping, on a road that crosses o’er a  road that passes beneath it. In this photo, you can see the structure’s rock-hard underbelly, which bears the surface imprints of wooden planks that were used in forming the main arch  when the concrete was cast, back in the mid-1960’s.

Certainly our attention is drawn to the large veneer stones on the outside face of the construction. These chiseled rocks, having been skillfully cut with calculated angles, lend a classic appearance to the roadway, which would have otherwise been a dull utilitarian construct.

Thus did the bridge become something far more than an elevated roadway; it stands as an artistic statement of architectural continuity, in agreement with its older, 1930’s-era bridge “ancestors.”

The stone masons who erected similar Blue Ridge bridges back in the earlier days were ancestors–whether by profession or by blood– of the rock masons who set these stones three decades later.

Such chisel-sculpted work  becomes a masonary tip-of-the-trowel to time-honored traditions of stone masons who lived and worked on this same 469-mile parkway back in the day, and then eventually crossed that great celestial bridge to eternity.

Having stood the tests of time and traffic, this good work stands as a long-lasting homage to both structural integrity and graceful design.

About six miles up the road from the bridge pictured above, there’s an S-curved structure that I tied steel on, back in the early 1980’s– the Linn Cove Viaduct on Grandfather Mountain. It’s a very special construct, being the final missing-link in the middle of a 469-mile, 50-year Blue Ridge Parkway project. But this one was special–not for the classic stonework–but for the cutting-edge technology of building the thing from the top down, instead of the bottom up!

BRPLinConst2

Here’s solid evidence that in this life it’s a good idea to do things right. Build it to last, whatever it is you’re working on in your time here.  Our children’s children will notice the quality and be inspired to do great works in their own time.

Search for Blue

Search for Blue

June 5, 2019

The Traveler’s main burden is a restless soul. He has carried it dutifully for a long time.

Traveler’s roots were deep, but not necessarily set into a specific place on this earth. Having  traversed many a mile of land and sea, this sojourner had been driven westward, in search of some destination that could not yet be clearly identified. So it might be said his roots stretched deep into life itself, rather than a place.

   At least for now.

   From a continental origin he had sailed o’er channel, into stillness and storm, outside of the norm, through  unknown , and out the other side of somewhere . . .  arriving for a season upon an ancient isle. But finding very little solace there, traveler had redirected  weary legs to ascend yet another gangplank, so that he might be transported to that great land he had heard tales of, beyond the blue.

   The seaport where he disembarked was, as it happened, a frontier for foreigners not unlike himself. They had uncovered motivations to—for whatever reason—not remain where they had begun. And so, having hung their hopes upon such vague restlessness, they undertook yet another phase of the great journey to somewhere yet to be determined.

    By ‘n by, the traveler eventually found himself ascending a long piedmont hill, and so it seemed when he had reached the top of it, the extended journey was now delivering him to a wide westward-looking vista.

    Pausing to catch breath, Travis trained his eyes on a string of  faraway ridges. Obviously high, yet . . . it seemed . . . gently-sloping. . . forested they were, and having no cragginess that he could see from here. That string of mountains  stretched like great slumbering beached whales across the entirety  of his new horizon. From  north  to south . . . blue, and blue to blue on blue, and more . . . blue.

He had never seen such a thing.

BlueRidg

So  this must be the  beginning of Search for Blue . . .