Archive for the ‘symbolism’ Category

The Beginning and the End

June 15, 2018

To go with the flow, or to go against it—that is the question.

Whether ’tis nobler to nurture the notion that mankind was innocent in some presumed condition of noble savagery—or to accept traditional religion that pronounces us guilty of offenses against Nature or against God.

If we are, or were, indeed, noble savages in our beginnings, why should we have taken on the disciplines and restrictions of religion—doctrines that judge us culpable of sin and thus in need of repair, salvation, or some kind of evolving perfection yet to be realized?

Hawaiians, for instance, who were alive here on the island of Kauai (I am wondering, as I write this on Kauai in 2018)—those Hawaiians who lived here in 1778 when Captain James Cook suddenly showed up with his fancy ship and his threatening weaponry, his magical gadgets, highly-trained crew, impressive use of language and documents, his tailored clothing and highly developed European culture—those relatively primitive people who first saw Capt. Cook’s two ships sail up to the mouth of the Waimea River . . .

CaptCook

Why should they have accepted his intrusion into their simple, primitive life?

To go with the flow, or to go against it—that was their question.

Would they go with the “arc of history” or resist it?

Did they eventually accept highly developed European culture to replace their traditional tribal existence? Did they accede to it out of submission, or out of necessity, or out of attraction to the new fancy stuff they saw? Were they conquered? Or were they taken by the hand and brought gently, Christian-like, into 18th-century civilization, and ultimately into 19th, 20th and 21st-century lifestyle?

Look around Hawaii today. What do you think?

They accepted it.

They went with the flow. One thing we know for sure about the so-called primitive Hawaiians of 1778: they knew how to go with the flow. They were here on this remote island in the middle of earth’s largest ocean, long before we technolified haoles were here, and they had arrived here at some earlier time because they knew how to make “the flow” of this life and the Pacific Ocean work for them.

So now, 2018, it is what it is. Hawaii, like every other place in our modern world, is what it is. Some may lament the demise of noble savagery that has been the result of Captain Cook’s intrusion into this paradisical (though deadly if you don’t know what you’re doing) island. Others may celebrate the entrance of the Hawaiians into modern life.

Some may come and some may go.

Captain Cook came. He left and came back again. The beginning of Captain James Cook’s Hawaii experience happened when his crew sailed their two ships to the mouth of the Waimea River— a river that flowed from mile-high Waialeale crater down to sea level at the southwest shore of Kauai.

Waimea1

He died in 1779, shot dead by an Hawaiian on the Big Island of Hawaii, at the other end of this island archipelago. His sudden demise came in the midst of dispute between some of his own crew members and the natives of Hawaii.

Many have lived and died since that time.

Two days ago, up on the other end of Kauai island, the northeast end, at a strand called Larsen’s Beach, we witnessed the life-end of another person, a contemporary. The man was a traveler from Pennsylvania. He had been snorkeling at a reef in unpredictable waters when the Ocean took hold of him.

A little while later, his flippers floated to shore. After we had witnessed a team of chance beach visitors (us), and then a couple of jet-skiing lifeguards from some other nearby beach, and then EMT guys flown in on a “bird,”—after we had witnessed all this collective noble attempt to coax life back into the snorkeler’s breathless lungs and heart, we saw his neon-green flippers float back to shore.

Flipper

Maybe he was going with the flow; maybe he was going against it; maybe he was fighting against the current, or maybe he was just going with that flow of life and death that eventually captures us all.

In my case, that flow will, in the long run, take me to death, and then resurrected life, as was demonstrated by Jesus.

Am I really going with the flow, you may ask, in joining the historical current of the Christian faith into which I was born?

Or am I going against the rational flow by subscribing to such an incredible prospect as life after death?

God only knows.

King of Soul

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Sand Beach

June 13, 2018

(With appreciation of Matthew Arnold’s poem, Dover Beach)

The Ocean is strong  today.

The waves roll in; the sun is bright

upon the Pacific. In this island surf the light

sparkles and tumbles; the rocky shores stand,

steadfast and vast, under a friendly sun.

Let’s do the beach; this afternoon’s energy is vigorous.

But hey! from this long splash of spray,

where sea meets the sun-kiss’d land—

Sand1

Listen! we hear the pounding roar

of sand grains which the waves draw back, and fling,

forever, upon this high strand.

Beginning and ceasing, and then beginning again,

with a forceful rhythm it perseveres, to roll

The eternal resonance of wonder in.

Dear Matthew, back in the day,

heard this on the North Sea, and it brought

into his mind the ponderous ebb and flow

of our melancholy brood; we

hear it still the same; yet with that lamenting we discern

a reverberating of relentless purpose

in this pounding Pacific shore.

Oh sea of faith!

Persistent and unrelenting, all ‘round our earth’s shore—

you flap forever like folds of a bright banner unfurled.

Although I also feel

that ancient melancholy, the long, withdrawing roar,

retreating, in the breath

of the evening wind, laden with our roiling refugees

and the uncared-for masses of the world.

Oh, people, let us be true

To one another! For the world, which seems

to boil before us like a pot of strife—

so disjointed, so distraught, so stubbornly the same,

really has somewhere some joy, love, and even flashes of benevolence,

some certainty— here and there a little peace— even some easing of the pain,

while we here on this fragg’ed globe

get swept with fake news and tweeting dweebs who incite us,

as ill-informed combatants clash with their devices.

Glass Chimera

Good ole boy coconut mining

June 12, 2018

You can’t just bust into a coconut.

Coconut1

Maybe you’ve seen one at the grocery store. But what you have laid eyes on there is not a coconut; it is the inside of a coconut. Notice that the tasty white stuff cannot be seen; its still hidden inside.

Coconut2

There’s a reason why the tasty white stuff cannot be seen; it is impossible to get to if you’re a regular person. You have to be a special person to get to it–a coconut farmer, or some kind of a specialized food-processing robot, or a Hawaiian with a machete.

Coconut3

Or a good ole boy with a sharp saw. In the grocery store, you understand, what you see of the coconut appears to be an outer shell; but in the wild, that shell is actually an inner liner.

Coconut4

Like life itself, it’s a hard nut to crack. But with a little work, some persistence, and an appropriate tool, the obstacles can be dismantled.

Glass half-Full

Feeding the Birds and the People

June 8, 2018

While staying on Kauai, Hawaii, I have been observing a cardinal every morning. This beautiflul red bird has lighted upon the deckrail, shortly after each sunrise each day. His visits demonstrate a boldness on his part to venture into areas of human domain. But that boldness is tempered with a shyness by which he promptly flys away as soon as I make any movement in his direction.

Comparing these bird encounters with similar episodes at our home in the Carolina Blue Ridge, I surmise a personality trait that seems to be characteristic of the cardinal breed. It’s probably my imagination that the  colorful creature has some comprehension of his special status among the kingdom of the birds. He seems to understand  (or so it seems to me) that this human is fascinated by his flashy appearance; he also knows that his bright profile is, in some settings, a liability, because the bright red makes it easier for nearby predators to catch sight of him and perhaps eat him.

However, Mr. Cardinal’s skittishness did not interfere this morning with my continuing attempts to capture a pic of him. I was pleased this morning to find that the different physical arrangement here in Hawaii have made it possible for me to snap the pic.

FeedCardnl

My Christian perspective on life in this world prompts me to accompany this amazing  (to me) photo with a scriptural reference. Here’s the first one I thought of, in the words of Jesus:

“Look at the birds of the air: they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?”

In this case, I, human, am representing the heavenly Father in dropping those cereal crumbs onto the deckrail for our scarlet friend.

Meanwhile, feeling satisfied that I have managed to capture, here in Hawaii, that flighty image of the bright cardinal which I could never manage to obtain back home, I’ll cast another crumb of interest in here for you to nibble on.

Before Mr. Cardinal visited this morning, I was continuing my read of Edward Joesting’s excellent book on Kauai, Kauai: The Separate Kingdom.   

https://www.amazon.com/Kauai-Separate-Edward-Joesting-III/dp/0824811623/

In chapter 7, Mr. Joesting reports on the beginnings of commercial agriculture on the island of Kauai. The earliest enterprises were initiated by a trio of American business partners who were working with Hawaiian leaders with assistance from Christian missionaries who had arrived in the 1820’s.

Long about 1835, some Americans leased a large tract of land from Kauikeaouli (Kamehameha III) Kaikioewa, the governor of Kauai.

What fascinates me about this development in Hawaiian history is the changes in motivation that Hawaiian working people found themselves adopting in response to the new capitalistic farms.

On page 131 of his book, Edward Joesting wrote:

“In agreement with the philosophy of the missionaries, the lease stipulated that native laborers be encouraged to work on the land. For this right the company would pay to the king and the governor twenty-five cents per month for each man. And it was further stated that each worker would be paid a satisfactory wage and be exempted from all taxation. This taxation had taken the form of labor performed for the chiefs and such other contributions as the chiefs wished to impose.”

As agriculture and business later developed in Kauai during the next twenty years or so, what this arrangement amounted to, economically and sociologically, was this:

Whatever ancient cultural motivations that had traditionally compelled Hawaiian working folk to labor for their tribe and their chiefs—these motivations were being supplanted by new incentives, directly related to 19th-century agricultural scales and practices, and modern, capitalistic business.

On page 132, Edward Joesing wrote:

“The idea of Hawaiians working for an employer who paid them wages, which could be disposed of as the earner saw fit, suddenly introduced a concept of independence that was not easily understood by the commoners and was feared by the chiefs. Adding to the independence of the commoners was the fact that the commoners no longer had to pay taxes to the chiefs. It was more than the average islander could comprehend. There was nothing in their history, no precedent, no legend, that could be used to bridge the gap. . .

On occasion the workers went through the motions of caring for the fields, accomplishing practically nothing. The plantation manager was beside himself (mad). He did not know the Hawaiians still could not comprehend the fact that their wages and the things they bought with them would be their own posessions and coud not appropriated at will by the chiefs.”

My rationale for combining these two different encounters—one with a fresh understanding of historical changes in 1830’s Kauai, and the other with a visiting cardinal this morning—my reasoning may not be entirely clear to you; it’s not even so clear to me, except it has something to do with this quote from a gospel:

“Look at the birds of the air: they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?”

FieldHawaii

King of Soul

Puff and Jackie Paper

June 5, 2018

For many, many years I have wondered about Peter Yarrow’s mention of “a land called Honah Lee,” in that silly old song he wrote about a dragon named Puff.

Just yesterday I was wondering as I wandered along the shoreline of Hanalei Bay, Kauai, Hawaii.

While vacationing on the north shore of Kauai I had been feeling a little constricted by the touristy setup there. It was obstructing my sense of adventure.

So, busting out of conventionality, so stealthily did I violate the boundaries of tourist propriety by launching into an unauthorized jungle trek.

Jungle2

Past the condos and the pool and the shuffleboard court and the boats-for-rent and the obligatory paraphenalia of predictable recreation, I stepped stealthily into a kapu area of overgrown, untended wild Hawaiian hoohah!

Through broadleaf wild flora damp with recent rain I did venture, stooping beneath gangly trees, tromping around some ancient black volcanic boulders and fearlessly bounding over others, I hazarded the uncharted course I had serendipitously set for myself, plodding along the secret shore, and footprinting wet brown sand, I splashed forth  through shallow wavelets along the neglected eastern edge of Hanalei Bay.  This untamed pocket of Hawaiian paradise has somehow proliferated between two resortified developments of American flimflam.

’T’was then the dragon entered my mind:

“Puff the magic dragon lived by the sea,

and frolicked in the autumn mists of a land called Hanah Lee.”

Here was I, perchance, sauntering adventurously through the last wild boundary of Hanalei Bay, maybe a little like the legendary Puff in that old classic Peter, Paul and Mary song:

   https://www.youtube.com/watch?v=z15pxWUXvLY

Within the deep recesses of Baby Boomer recall, Puff the Magic Dragon still yet  blows through, across an ocean of imagination. Can you hear the tale?

“Little Jackie Paper loved that rascal Puff

and brought him strings and sealing wax and other fancy stuff.

Together they would travel on a boat with billowed sail;

Jackie kept a lookout perched on Puff’s gigantic tail.”

Once upon a time, when there was as yet no jet-plane, no cruise-boat, no trans-Pacific ocean liner. . . long, long ago while approaching an island far, far away, during an age in which the only transport to these remote islands of Hawaii was by sailing ship. . .

“Little Jackie Paper loved that rascal Puff,

and brought him (from highly developed, civilized countries far, far away) “strings and sealing wax and other fancy stuff.”

Do kids these days even know about strings and sealing wax? This is ancient legend stuff. I mean, who uses strings and ceiling wax these days? Who folds an envelope and closes it and then affixes the back flap with a buttoned string and a blob of richly-colored wax impressed with a regal insignia?

Nobody I know of. You?

These were communicative implements of a by-gone age, when persons of certain authority or rank used strings and ceiling wax to assure a remote recipient that the letter or parcel being hand-delivered had originated with the accredited sender.

Such strings and sealing wax were used in centuries long gone, when mighty sailing ships voyaged halfway around the globe from London or Lisbon or Boston or some such port of great commerce.

Those majestic ocean-going vessels would arrive with pomp and fanfare at many  an exotic destination along the way, where fabled creatures inhabited magical shores, places where a fast-industrializing world had only recently managed to  impose  its rigid demands of productivity, efficiency and conformity on clueless, unsuspecting noble savages such as Hawaiians were when all this commercializing globalization had only just begun.

Puff the Dragon was the quintessential  wild uncivilized creature of old; he held sway over that formerly vast, untamed region where primeval legends prevailed, as yet unspoiled by modern mediocrity, a time and place where magic and myth, not capitalizing pragmatism, still reigned supreme.

So, in the 1950’s-60’s televised commercialized USA where young Baby Boomer imaginations ran wild with the likes of Mickey and Minnie and Davy Crockett and the Jetsons and the Flintstones . . .

Little Jackie Paper, the nascent civilized child, found Puff among his privileged playthings. And letting his imagination run wild, he frolicked with Puff in the autumn mists of a land called Honah Lee.

For a few years, he made play of Puff— until young Jackie decided to move on to bigger and better pursuits . . . baseball, hot dogs, apple pie and Chevrolet, Elvis and the Beatles, Mustangs and Volkswagens,  Lost in Space and lost in purple haze,  caught up in fantasy and privileged college days, gathered up in protests and rockfests and counterculture forays, and eventually outgrowing even all that stuff and finally picking up the better “toys” of governments and companies and  corporations . . .

“A dragon lives forever; not so little boys.

painted wings and giant’s rings make way for other toys.

One grey night it happened; Jackie Paper came no more,

and Puff that magic dragon ceased his fearless roar.”

Surely we now understand this about Peter Yarrow’s classic song of forsaken childhood innocence: In the end, Puff ceased his roar because . . .

Jackie ceased his playing. The roaring voice that had bellowed was not Puff’s at all; it was young Jackie’s intonation of Puff’s imagined roar.

Remembering this old tune while trudging along Hanalei bay. . . dredges up old memories.  My feeling is that the quaint longevity of this simple song slips up from beneath the surface of a sea deeper  than mere child’s play.

It is a longing for the past; it is a vague recollection from our collective vault of  wishes and dreams; it is a pining away for a former age of mankind, a time when the people who were in charge of things were benevolent and empathetic, a Camelot time before the brouhaha of democracy, a Shangri-La time before the anarchy of revolutions, before the abuses of communism. . . a simpler, Arcadia time before everything got so complicated and leaders were not so self-infatuated, a time when . . .

“Noble kings and princes would bow whenever they came;

pirate ships would lower their flags when Puff roared out his name.”

  King of Soul

What about that old battlefield?

May 28, 2018

In chapter 27 of my 2014 novel, Smoke, we find a young American, Philip, and an old Frenchman, Mel, conversing as they approach a battlefield in Belgium, a place called Flanders Field. The year is 1937;  in the last week of World War I, Philip’s father had died on that battlefield in 1918. Here’s the scene:

Something about the spring air, the mists at the edges of the fields, the lush, lowland foliage, the shadowy light, lijdt het licht het donk’re licht, something was moving deeply inside of him. “Mel?”

“Yes?”

“How could this place have been a battlefield for a world war?”

The old Frenchman cast his eyes on the passing landscape, and seemed to join Philip in this musing. He answered slowly, “War is a terrible thing, an ugly thing. I did not fight in the war; I had already served my military duty, long before the Archduke was assassinated in Sarajevo and the whole damn world flew apart, like shrapnel. But I had many friends who fought here, and back there, where we just came from in my France, back there at the Somme, the Marne, Amiens. Our soldiers drove the Germans back across their fortified lines, the Hindenberg line they called it. By summer of 1918 the Germans were in full retreat, although it took them a hell of a long time, and rivers of spilt blood, to admit it. And so it all ended here. Those trenches, over there in France, that had been held and occupied for two hellish years by both armies, those muddy hellholes were finally left behind, vacated, and afterward . . . filled up again with the soil of France and Flanders and Belgium, and green grass was planted where warfare had formerly blasted its way out of the dark human soul and the dark humus of lowland dirt and now we see that grass, trimmed, manicured and growing so tidily around those rows of white crosses out there, most of them with some soldier’s name carved on them, many just unknown, anonymous, and how could this have happened? You might as well ask how could. . . a grain of sand get stuck in an oyster? And how could that oyster, in retaliation against that rough, alien irritant, then generate a pearl—such a beautiful thing, lustrous and white—coming forth in response to a small, alien presence that had taken up unwelcomed residence inside the creature’s own domain? The answer, my friend, is floating in the sea, blowing in the wind, growing green and strong from soil that once ran red with men’s blood.”

But today, this Memorial Day, 2018, we honor not only the war dead of that First “Great War” of the 20th century. We honor all those who have given their “last full measure of devotion” to a nation that has always stood, and hopefully always will stand, for freedom and justice.

Here’s another phase of our 242-year national history with brave souls to ponder, Vietnam:

VNMem

King of Soul

A Big Bangin’ Good Time It Was!

May 27, 2018

 In the beginning Yahoweh banged out the big universe, E=mc², and while doing so he set aside one particular chunk of it to form the earth.

The earth was initially formless and void of life, and darkness occluded all the deep stuff that, really, when you get right down to it, had some great potentiality, but it needed a little help, and some serious diversity, so the impressively energetic activating Spirit Yahoweh began activating the elements and he was lol at the emergence of helium so he got into into mating the hydrogen with  oxygen and before you knew it Yahoweh was, like, skimming all over the surface of the waters.

Its true what’s been reported on both MSBNB and Foxxy that Yahoweh did in fact tame the electromagnetic energy that had begun banging around wildly: Let there be light, he said and guess what, yo, there it was: light. Things were brightening up.

And yo, check it out, y’all: wherever the light struck earth— Yahoveh called it day, and wherever the darkness prevailed on earth he called night. Nice little back and forth thing going on—in and out of the bright spot—from the very start. Some great possibilities here.

Now it just so happened that  the way the earth popped out—it had this little spinning action going on, which would in the long run make things really interesting for us homo sapiens later. And so the  revolving motion of the earth brought forth a very cool  morning-morphing-into-evening scenario.

Reflect

Therefore, since it would be easier for us to see what was happening in the daytime part of this developing arrangement, we call that whole once-around-the-axis revolution a “day,” meaning, you know, the whole 24-hour deal. . . as in, another day in the life, eh? You trackin’ with me?

But hey! Creator was just getting started, y’all.

Yahoweh spoke: Let there be a, like, an atmosphere in the midst of the waters, and let it get intimately involved with the waters and separate some waters from other waters.

And so Yahoweh breathed out this very expansive atmosphere, which retained some waters as hanging together and staying in the flow, while other waters drifted on up into the troposphere to do their rarified atmospheric thing. You can’t keep a good molecule down, and they’re gettin’ high just thinking about it.

Anyway, Yahoveh knew that, on down the road, folks would gaze up into that airy firmament and be inspired by the amazing expanse of it, so he gave it an impressive name: heaven. Meanwhile, back at  what would later become the ranch, that revolving day/night configuration was shifting into second gear. Therefore, by ’n by the second day was just as incredible as the first had been, if not more-so.

Yahoweh spoke: Let the waters below the heavens be gathered into one place, and let the dry land appear. And hey! It was good! Pangaea, baby, that’s what I’m talking about!

Yahoweh called the dry land earth, and the gathering of the waters he called seas, and he saw that it was good.

It’s all good!

WaterLine

Pickin’ up steam, Yahoweh kept a-goin’. Let the earth sprout vegetation, he declared. We’ll be needin’ some flora for these folks, y’all:  plants yielding their seed, and fruit trees on the earth bearing fruit with their stamens and carpels and fruit chromosomes and stranded DNA embedded in their seeds; and so on and so on.

And so on Pangeia was brought forth vegetation, plants yielding their genetic progeny

SilverSword

and trees bearing seeds with tree-deoxyribonucleic coding so that all subsequent tree-cells would get the message that God had spoke and he said it was good, y’all!  Propogate!

Meanwhile, down at the axis, that earth just kept spinnin’ along and there was evening and there was morning, a third day.

Then Yahoweh said, Let there be lights in the expanse of the heavens to separate the day from the night and let them be for signs and for seasons and for days and even years!

And let them lights light up the earth. And it was so.

And within all this arrangement, Yehoweh set up two special lights: the greater light to govern the day, and the lesser light to govern the night.

That lesser  light is the one by which Tony Bennett or some ole crooner croons the tune: when the moon’s in your eye like a big pizza pie—that’s amoré!

Oh, and btw, while Yehoweh was doing all this, he also, like, got a creative handle on all them whizzing chunks of big bang detritus that were barreling through space and he, like, made the stars, maybe as an afterthought, I dunno.

He did very generously open up the heavens so that later organismic developmentals (see trailer) would get a little light on the subject, and make adjustments in their routine for the night phase because nights would be a cool change-of-pace from the day-to-day routine, because we could look up at the stars and be inspired by them and make up stories about Orion and the BiG Dipper and the Big Bang and whatnot.

There was evening and there was morning and that’s the way it is, fourth day, hey hey hey! Stay tuned for a fabulous 3-day weekend!

Glass Chimera

The Deep

May 26, 2018

As we grow older in this world, we gain a deeper understanding of  what is going on here. But it can be discouraging. In many ways, what we find is not pretty, and it makes no sense.

The disconnect between the way the world is and the way we think it should be becomes an existential crisis for those of us who are sensitive to such issues.

Attached to this dilemma we find a long historical trail of people attempting to deal with the problem. Along that path we find tragedy, depression, pathos, melancholia, despair, existential crisis, schizophrenia and a myriad of other assorted travesties.

But there’s a favorable output that sometimes arises through this conundrum. It’s called art.

And music, and literature.

I’ll not get into the specifics of it; but we discern, threaded through our long, strung-out history, an overwhelming human opus of emotional and soulful profundity. It  has been woven through the sad, dysfunctional and tragic tapestry of our apocryphal struggle for meaning. It has been sounded forth and sculpted continuously even as our very survival is perpetually  called into question.

The depth of this existential crisis is expressed by the poet when he desperately cried out:

“O my God, my soul is in despair within me;

therefore I remember you from the land of the Jordan,

and the peaks of Hermon, from Mount Mizar.

Deep calls unto deep at the sound of your waterfalls;

all your breakers and your waves have rolled over me.”

From the mountaintops of human awareness, and from the turbulence of many wanderous shore epiphanies, we homo sapiens somehow manage to  bring forth as offerings a cornucopia of creative endeavors; they are birthed in desperation, and they are often borne in desperate attempts to somehow attain hope.

You catch a hearing of that struggle to which I allude, in this music, composed in Spain in 1939 by Jaoquin Rodrigo:

  https://www.youtube.com/watch?v=e9RS4biqyAc

You can catch a glimpse of it in Picasso’s mural, composed in Spain in 1937, after the Luftwaffe bombing of Guernica:

  GuernicaPic

But in my exploration of these matters, the most profound expression of the pathos curse is manifested in the life of one person who, by his laborious struggle, imparted the purest and most enduring message of love ever etched upon the parchment of human history; but his great gift was rejected through our judgmental travesty: a sentence of crucifixion.

ChristCruc

Yet out of that most extreme humiliation there arose an even greater opus of creative, persistent love : resurrection.

If you can even believe it.

Smoke

To Do or Not to Do

May 19, 2018

 That is the question, and so here spurts forth the contemporary quandary, purloine’d from the great classic tragic drama,  Hambiskit, by Mr. William Shakyerbootilere:

Herein we heareth the soliloquy of yonder young prince Hambiskit, being uttered in the midst of his worst internetual crisis:

To do or not to do: Is that the question?

Whether ’tis nober in this world to suffer

the slings and arrows of superfluous wwweb buffoonery,

or to sling comments against a viral flood of manipulators

and by opposing outsmart them.

To o’ercome, or to consume more and more?

and by consuming then regurgitate

the spewings of those faceless data-freaks

that the Web is heir to: ’tis a comment

boldly to be keyed.

Just sayin’.

To excel, or to consume?

to consume—perchance to daydream: aye, there’s the flub!

For in that slumber of couch-potato’d mess, what dreams may come?

when we have sluffed off the ancient laborious toil

that flesh was heir to!

Just sayin’.

Yeah, such pathoggery will surely add us pounds; there’s the rub:

there’s the lethergy

that makes such heavy weight of this long life.

For who, tell me who? will now bear the quips and scorns of time—

the hackers’ throng, the elites’ manipul’ry,

the publicized pangs of transgended sex, the laws’ demise,

the insolence of leftists and the the lumps of alt-right grumps.

 Our attention to such useless compost daily piles up

while we ourselves with regularity do our deposits drop

from every bare bottom?

Pshaw!

Who, I ask you, who would such far-fetched feces bear?

—to groan and complain in this our cushy couchist pod

until the dread of whatever the hell’s after death—

that unsolicited’d app from whose click no traveller returns—

it wipes our will

and makes us  bear those charmin’ ills we have,

rather than fly to other charms we know not of.

Thus, consciousness makes cowards of us all, y’all,

and so the human hue of resolution

is slicked o’er with the clown’ed cast of infotainment.

Hambiskit

Then enterprises of great pith and content,

by mere wasting of time, our  essential issues get sucked away,

and so we so thoughtlessly delete

the path of action.

To do or not to do, I tell ya, Ophelia Bodelia,

That is the question!

Just sayin’.

King of Soul

Life’s a Beach

May 14, 2018

Let us wander; what say we amble down to yonder coast?

’Tis there we’ll stroll the strand; explore a frothy edge, where wonder rolls up on the shores of familiarity.

Hey, Life’s a beach!

When we’ve walked as far as landward ambling will allow, we find  ourselves at the end of what we know.

There we gaze out upon the horizons of what we do not know.

PepleLookn

If you take a right turn at that juncture and keep going, you’ll enter the realm of belief, or faith. Here’s what it looks like, because your eyes are blinded by the end of it:

BriteDestny

If you take a left turn there and continue, you’ll happen upon the tree of knowledge. Let your eye follow its structure, but the end of it is somewhere out of your view.

TreeKnowlg

Analyzing and Believing are two different paths; whichever you choose as your predominant life strategy—that choice will take you to the destination that is appropriate to your choice.

You may make a deposit in the dilemma of data.

Layers

Or you may find yourself reflecting eternity.

Reflect

Selah and Serendipity to ya!  Zippity do dah too.

King of Soul