Archive for the ‘music’ Category

Emperors and Bohemians

July 16, 2017

We went to Prague, and what a trip that was. I am quite sure there is no place like that Czech city on earth; Praha is a totally unique city–a surreal blend of medieval architecture and modern chutzpah.

One reason that ancient metropolis retains so much Old World ambience is that during the big war back in the ’40’s, Prague did not suffer major bombing damage. So there are parts of the city, particularly near the Castle, in which your wandering really does take on the feeling of a stroll through the Old Europe of medieval times, except for all the tourists waving their devices around.

Such as us.

We were right there, in with all that crowd of world-travelers snapping pics, gazing quizzily at our phones, searching for signs of meaning in the domiciles of Kafka and Havel.

Although I strive to write here with some profundity, I must admit that my few days there–although thoroughly edifying and significant–qualify me for nothing more that the status of being a tourist who was in awe of the place. I truly got the feeling that no, you’re not in Kansas anymore.

So now, today, as we roll along toward Budapest, I reflect on our time in Prague, but my mind also wanders back to our all-too-brief sojourn through Vienna, which came before Prague. My analytical, touristic mind wants to make a comparison. So here it is, in all its dubious oversimplification.

Prague is bizarre, proletarian, and cutting edge.

Vienna is presumptuous, regal and Establishment.

Great cities do have, you know, an identity. Think of the difference between, say San Francisco and Washington DC. What’s going on here in central Europe is somewhat like that. Think of, say, a bunch of hippies in 1968 showing up in Washington DC.

A century and a half ago, when the Vienna-based Hapsburgs were ruling their Austro-Hungarian empire, their noblesse oblige sensibilities must have been seriously ruffled when they would encounter, from time to time, the sight of wild-eyed Bohemians who had just rolled in from the Czech outback. On the back of a turnip cart, perhaps, these unrefined immigrants from the hinterlands rolled into staid Vienna with rocking chairs on the back of their carts like Granny Clampett, while their uncouth cousins probably strutted along, coaxing untamed gypsy melodies from their fiddles like there was no tomorrow.

Of course, when the First Big War finally ground down to a halt back in 1918, there was, in fact, no tomorrow for the Hapsburg royals. The jig was up for them and for their obsequious entourage of noblesse oblige courtesans who had populated  the royal courts of Vienna for half a millennium.

But the difference between these two great cities of Europe is retained in the feeling you get while visiting each one.

Vienna, as a major tourist destination, still capitalizes upon and cultivates that royal legacy with which they were born. You can feel it, you can see it plainly in what they emphasize in their presentation to us visitors.

Here are two pics from our Vienna hotel:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Compare this ambiance to  a pic I snapped from our first night in Prague:

 

You get the picture?

This morning in Hungary, I was recalling a statement that our Vienna tour guide had made when we were there last week. She was telling us about the financial patronage through which the Hapsburgs supported orchestral  Music in Vienna during the Classical Age, which was during a period  from about 1760 to 1810 or so.

Our guide spent a good while  talking about the Emperor’s favored composers, Mozart and Haydn. The music of these two composers embodies the dignified, perfectly structured character of Classical Music as it was appreciated and financed by powerful, order-cultivating imperial benefactors. Our guide Iva also mentioned that, toward the end of the Classical period, Beethoven became a recipient who benefited from  those Hapsburg pursestrings. But Beethoven’s status as a recipient of their order-cultivating, imperial patronage was somewhat questionable. His musical identity–his struggle to surpass the courtly bonds of Mozart/Haydn conventionality– was always on the edge of something terribly new and disruptive. Ludwig stood, in fact, on the dizzying precipice of a new 19th-century eruption in music. And he knew it. His opus would not turn out to be a kind of music that proceeds from the calm waters of courtly, post baroque, Classical concerts.

Ludwig’s music turned out to be expressive, emotional, even explosive. His orchestral movements were a harbinger of a newly-forming revolutionary age, a disruptive century to come. His booming symphonies resonated more with those Czech Bohemians than with his courtesan mentors Mozart and Haydn. Ludwig was a German from somewhere over there in the cauldron of  the Rhine/Ruhr, an upstart. And even though he was able to obtain support from Emperor Josef, he was never the comfortable courtesan composer like Mozart and Haydn had been.

Our Vienna guide, Iva, mentioned this. She explained that the the imperial support for that unpredictable young German was of a different nature. The times they were a-changing.  Ludvig von Beethoven wasn’t the mere conveyor of those raucous new symphonic strains; he was an (if not the) originator of the  new romanticism in music. When Iva concluded her spiel on the great  music that had come out of imperial Vienna, I felt that there was something she had left out.

(Excuse me) “What about Strauss?” I asked.

Her answer surprised me.

She said that the Strauss music–the waltzes, the Blue Danube, et al which came later in the 19th-century–were considered by the  Vienna Establishment to be “pop music.” They were equivalent to the “Dirty Dancing” of that time.

Strauss waltzes, the “Dirty dancing!” ?? of that day?

Duh! ????

She said that Strauss went to Chicago and did a concert for a hundred thousand people.

But that did not impress the Establishment in Vienna.  As far as they were concerned, Johann Strauss Jr and his thumping waltzes were in the same league with . . . dirty dancing.

I suppose the royals and their courtesans always preferred their little, intimate venues like this one in Vienna, a space where, as our Vienna guide explained, Mozart had done one of his last concerts.

I will never get a handle on how all this human art and music plays out.

Glass Chimera 

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We all live in a Blueish Bussarine

April 13, 2017

It’s amazing what we humans have done with techno throughout the ages of time

Way back in the mists of anthropological mystery some Croation CroMagnon got a bright idea to knock off the angular faces of a stone. He kept chipping away at it until the thing was more or less round; it looked so cool he decided to make another one. Then he got the history-rocking idea  to punch a hole in the middle of each stone and  then connect the two together with a wooden pole.

Next thing you know he’s wheeling his stuff around on a cart, gathering his food a la cart. This was definitely an improvement.

Human history rolled along at a quicker pace after that.

Eons of time went by. Then a while back ole Isaac Watts put mind and metal together with the the potentialities of heat and water.  in an advantageous arrangement. that became know as the steam engine and so it wasn’t long before we homo sapiens were using the thing to power everything up. Some guy came along and slapped that steam engine onto a cart with a set of wheels and whammo we humans had ourselves a powered vehicle for purposes of transporting ourselves and all our stuff.

Wow!

Henry Ford happened along and he paired up assembly line strategy with mass production productivity. Next thing you know, everybody and their brother is out driving around on Sunday afternoon in a Model T or Model A.

Soon afterward, some other folks come along and did their version of Ford’s world-changing whirligig, so then we had wheeling around not only Models A and T but also models GM and MG and model GTO and BMW and model ’57 Chevy and ’65 Mustang and so forth  and so on.

All along the way, these fossil-fuel-powered motorized mobilizers were extending their influence into the other elements such as air and water.

Airplanes in flight, Boats on water, millions of them puttering along with their enginary cousins everywhere here there and yon and all over the world.

In 1966, a scant year after the historic ’65 Mustang made its mark on the prairies and the dusty deserts along Route 66, the Beatles came up with a new idea, the yellow submarine.

“We all live in a yellow submarine,” they sang.

This is a fascinating concept.  The Beatles never stated it blatantly in their song, but the idea is this: in our evolving 20th-century consciousness we can surmise that this planet–even as huge as it is–is nevertheless a closed ecological system, not unlike a submarine.

Another expression of this idea is seen at Disney World in what the Disneyites call “Spaceship Earth.”

While our ancestors thought of the earth as somehow infinite in its distances and its capacities, we 21st-century world-dwellers are understanding that what comes up must come down. Pollution up, pollution down. Carbon up, carbon down, and everything (as the stuff spewing from our exhaust pipes) that goes up eventually comes down. All that stuff we spew into  the air and all that stuff we bury in the landfills, it doesn’t just magically go away.

“Out of sight, out of mind” is a fallacy that perpetuates our fantasy of an earth that possesses infinite capacity.

We the people who inhabit the so-called “developed world” are now starting to take this emissions stuff seriously. Meanwhile, in other parts of the world, the so-called “third world” and “developing nations,” those folks are trying to develop their economies and their infrastructures under the constraints of our post-modern enlightened consensus about us all living in a limited-capacity closed ecosystem–a sort of yellow submarine.

In our present world, India seems to be in a developmental category that is somewhere between “developed world” and “third world.”

As I was strolling along yesterday on a high-tech promenade of Disney’s Animal Kingdom, I lingered to appreciate this old disabled bus.

It used to be a carbon-emitting transportation machine in a third world country, but now it has morphed into an ice cream booth in our hyper-entertained theme park of USA inc.

I would like to  thank the Artist(s) of India, whoever he or she was who decorated this bus. Nice work!

And I would like to commend the Disney person(s) who saw the historic value of this work of art. To me, it represents the idea that we all live in a blueish bussarine, and not everything that wears out must be thrown away.

Glass Chimera

Your mother would know

March 19, 2017

Well goll-ee.

Lights

Let’s all get up and wave to a tune that was a hit soon after your mother was born;

though she was born a long long time ago,

your mother would know;

your mother would know.

And your grandmother

and your father and your grandfather.

AlbertJohn

Uncle Albert would know it too– Uncle Albert Schram, who conducted the orchestra last night.

You see him here in the background of this alternative-fact unauthorized photo.

In fact, Albert knows those old Beatles tunes so very thoroughly. He conducted the Charlotte Pops through an incredibly rousing symphonic accompaniment last night.  I could hardly believe it.

Take the infamous John Lennon composition Day in the Life piece, for instance. It’s on Sergeant Pepper’s.

When I first heard that strange finale in 1967, my sixteen-year-old mind didn’t know what to make of it.

Whatever it meant or did not mean (we were all wondering), it signaled that the Beatles had turned a huge corner in their musical development, from pop-music fab-four phenom to . . . ???

“. . . found my way upstairs and had a smoke. Somebody spoke and I went into a dream, Ohhhh, oh oh ohhhh. . .”

Now in 2017, it means. . .hell, I don’t know what it means.

That such a cacophonic  cadence as that Day in the Life finale could actually be orchestrally performed was amazing to me last night. All these years, I thought it was just Brian Epstein’s  or George Martin’s studio tricks.

Tony Kishman, the musician who fulfills the Paul McCartney role, pointed out that John, Paul, George and Ringo had never done this with a live symphony back in the day when they were in their heyday. Pretty interesting, I thought. Now their aged Sgt. Pepper’s studio wizardry has morphed into this phenomenal “tribute” event performed by an incredibly talented Beatles-tribute band. And however many hundreds or thousands of us geezers were enthusiastically waving our lit-up phones while singing.

“Naa naa naa, na na na naa, na na na nah, Hey Jude!”

“Take a sad song and make it better. . .”

Take an old song, and make it rock again . . . is what these guys do, the Classical Mystery Tour (they call themselves) along with our jubilant audience-participle thronging of us when-I-get-older-losing-my-hair baby boomers. I mean it was, like, so far out man.

Just how many 64-year-olds there were waving their devices and singing Hey Jude in that theatre last night, I do not know. But I can tell you this. A rocking good time was had by all, including the band. Just some good clean fun, y’all.

Tony also said something to us that, as he so poignantly pointed out, Paul had never said to a Beatles audience.  “Visit our website.”

Haha! Ain’t it the truth. Who’d have thunk it, that all this stuff would happen since those halcyon smoky days of yore.

    http://www.classicalmysterytour.com/

But hey, life goes on. Times change, and most of us get a little stuck in our minds back in that time of unsure discovery when we passed through teendom while wearing bell-bottoms, wondering who Lucy in the Sky was. And if you’re have trouble remembering the ’60’s, it’s probably because. . .

Never mind. Beneath the surface, something very special was always going on.

PianoPaul

Underneath it all, such a time as that had never happened before, nor would ever again.

But this is true even now; its part of the mystery tour of this life. Our kids will never view it, nor comprehend it, the same way we did. Nor could we see it the way our parents did.

Our parents had grown up in the 1930’s with Glenn Miller and Duke Ellington, Louie Armstrong and George Gershwin, and that was all well and good and they did their thing.

That greatest generation–who then grew up to  fight the Nazis back into their holes back in the 1940’s–that generation came back from the Big War, started generating us boomers like there’s no tomorrow. And at some point in the ’60’s, there was indeed some serious question about whether there would BE a tomorrow, because Khruschev and Kennedy almost blew the whole damn world up over those alternative-fact nukes down in Cuba.

When we boomers came along, the old War–the one they call WWII–was so intense, and still fresh in our parents’ memory and experience. But it was just history-book stuff for us. As John had sung:

“I read the news today, oh boy, the English army had just won the war.

A crowd of people turned away, but I just had to look,

having read the book.”

If you don’t know what I’m talking about, read a newspaper, or a book, or hazard a listen.

Smoke

He be smooth

January 2, 2017

Boss man Barack  he come striding in ’09

like buffed up bees’s knees on a slickery dime

he come glidin’ in on rhetoric and cool

he be together, ain’t no fool.

He say Watch out! you tea party duds

he drives ’em crazy til dey stuck in the muds

Now time come he say see you later

He be cool. He be Smooth Operator.

SmoothWet

Now the Donald he be smoothie of a different kind

though he look like bull in china shop some time

now he flaunts his assets like they going out of style

he be big cheez cuz he gots a big pile

Watch out! you lefty whiners he taunts

there’s no end to his assets he flaunts

with flapping big mouth like wild alligator

yet he too be a Smooth Operator.

Now here’s the thing:

Though Barack look like he from the hood

he got his ducks in a row real good.

Now here come the Donald like a bull from the stall;

he act like he know how to take charge of it all.

Look to me like Obama be crafty and cool,

while the Donald be pushy and cruel.

It look to me like age of Statesmanship be gone

as another Smooth Operator come struttin’ along.

Glass Chimera 

The Snowbird Lesson

December 30, 2016

When I was a child in Mississippi, we had a book about birds of North America. For some reason, I know not what, I became fascinated by a certain bird that was pictured therein. It was the snowbird. Being a boy from the deep south, I had not seen much snow, which was a rarity where I come from.

Perhaps that rarity factor is the reason I was fascinated by the picture of the snowbirds in my little book.

Now I’m sixty-five, and living in the Blue Ridge mountains, which can be quite snowy this time of year.

Early this morning, December 30, we did discover the first snow of the season, and I have to tell ya– along with the whitey flakes the snowbirds made their visit known to us.

Snowbird

Later in life, When I had become young man, I became fascinated with a song called “Snowbird” that was a hit on the radio at that time, 1960’s. It was a tear-jerker tune, sung perfectly by a lady known as the Canadian songbird, Annie Murray.

    https://www.youtube.com/watch?v=pq9bHd58-LA

“Snowbird” is a sad song about unrequited love.

“When I was young, my heart was young then too. Anything that it would tell me–that’s the thing that I would do.

But now I feel such emptiness within for the thing that I want most in life’s the thing that I can’t win. . .

and

“The breeze along the river seems to say, that she’ll only break my heart again, should I decide to stay.

So little snowbird take me with you when you go to that land of gentle breezes where the peaceful waters flow.”

. . . and yet, beneath the poem’s cold mantle of forlornness there is a trace of hope, a mention of “flowers that will come again in spring.

As it turned out, in my life the flowers did “come again in spring.” Those misadventures in love that later became a flood of heartache ultimately were buried in the fertile ground of life’s demands. Not only were seeds of new love sewn providentially into my life, but those seeds have yielded new flowers and more seeds.

Yet still, “the snowbird sings the song he always sang, and, as it turns out, eats the seeds always needs.

The snowbirds visited our house this morning, and wow! did they have a feast!

Snohello

Those little critters are much like the two humans–my wife and I–who find much joy in providing seed for them during this snowy season. There’s Snowy on the ledge, and his wifey down in the tree:

SnoMates

Thanks to love and marriage, which go together, you know, like a horse and carriage, or like . . . snowbirds and snow, my life has turned out to be a love feast instead of the festival of the broken-hearted that might have been, had not a wonderful loving woman come in and changed all that lovesick blues to pure white marital love, 37 years of it.

I wouldn’t trade marital love for anything in the world. It’s so much better than the broken heart that might have become bitterness. Thank God for true love that is lasting and faithful.

Here’s another version of the song, “Snowbird,” as recorded by the songwriter, Hank Snow.

   https://www.youtube.com/watch?v=JBwqqH0LTyI

And here’s a parting pic of little Snowy with his Finchy friend.

Snowb&finch

Glass half-Full

A Poem for Christmas

December 24, 2016

Chrsms

Every Christmas season that comes and goes brings an emphasis that is different from previous years. This year’s discovery is something called a “Christmas market.”

This term, which seems to indicate a market that is in some way unique to the Noel season, a market that is more joyously conducted, perhaps, than just any old assemblage of vendors selling stuff. I first pondered the phrase while reading sad reports of the murderous bus driver at the “Christmas market” in Berlin. A day or two later, while Pat and I were skyping with our daughter, who is in Europe, Katie mentioned that Christmas markets are “all over the place” over there.

This Christmas eve morn, I was sitting in the chair by the tree,  listening to Handel’s Messiah, and wondering about the Christmas market phenomenon, and how it might be different from just any old walmart or kreske store. In order to learn what it is, I thought I’d look it up. But suddenly, a star shone brightly in my brain and I decided to write a poem about it instead, without even knowing what a Christmas market really is!

Oh Christmas market, O Christmas market free,

How lovely are your goods to see!

Though not in session when summer’s here,

You’re only in the Noel time of year!

Oh Christmas market, O Christmas market free,

How lovely are your figs and pears to see!

Oh Christmas market, O Christmas market free,

How festive Man hath profited from thee!

Thou biddest us to all buy faithfully,

Our trust in free enterprise, consumerly!

Oh Christmas market, O Christmas market free

How enterprising  Man hath been with thee!

Oh Christmas market, O Christmas market free,

Thy giftings gleam so, so brightly!

Each purchase doth add its tiny part

To make our economy glow and spark!

Oh Christmas market, O Christmas market free,

Thy prosperity doth shine so,  so brightly!

Oh Christmas time, O Christmas time so holy,

Thy nativity’s obscured now almost wholly

by buying and selling of so many services and goods.

We would buy them all, if we could!

Oh Christmas child, O Christmas child,

Where art thou now in this world so wild?

But hey! What light through yonder darkness breaks?

Still through our dark markets shineth

The everlasting light.

The thoughts and gifts of all our years

are giv’n in Thee tonight!

Feliz Navidad, Jesus!

Glass half-Full

Alabama. How ’bout you?

November 19, 2016

Alabama.

Alabama sticks in my mind, going way back.

To get from Louisiana to Georgia, you have to drive through that Sweet Home state of Alabama, the state where folks drive around with a license plate that says: Stars fell on . . .

Alabama, whatever that means.

I’ll tell you what it means. it means crucible.

It means the place where America’s deepest hopes and deepest fears about building a great nation and living out the ideal of all men and women being created equal by Creator God, the place where all those deepest hopes and deepest fears clashed in the thoroughfares of history on a highway between Selma and Montgomery,

and on the steps of the state capitol when President Kennedy sent soldiers in to compel George Wallace to do his job and allow the black folks of Sweet Home to vote and to go to school and to University.

And then later, years later, George Wallace issued a public apology for his former racist bullshit way of doing things. And I remember this video I saw online just a year or two or three ago of Wallace sitting in a wheelchair, his daughter by his side, telling the black folk and all of us, all the people of America, that he was sorry.

I mean I saw this, so to speak, with my own eyes, (online.) It all happened in my lifetime.

This George Wallace who was speaking in my hometown, back in the day, 1968, when he went to the Louisiana legislature and spoke there and he said if they’d send him to Washington he’d take all their suitcases from all them bureaucrats in Washington and throw them suitcases in the Potomac River, and when he said that all the Louisianans who filled that legislative chamber laughed.

But such hyperbole was not a rhetorical stunt unknown to the folks of the bayou state, many of whom in that room that day could still remember what Huey Long had said back in the day,  1930’s.

‘Course we all know it didn’t amount to a hill of beans. Dick Nixon went to the white house that year instead the Alabama governor. Hubert Humphrey was the one who lost big time that year because Wallace peeled off a bunch of them riled-up southerners from the Democrats.

I mean, Hubert got a raw deal in Chicago, but we can’t be crying in our beer forever. He was a nice guy. God bless him, Hubert. May he rest in peace; and, for that matter, may Richard Nixon rest in peace.

We all have our faults.

All of this has happened in my lifetime, y’all, which wasn’t so long ago and it’s still happening today.

We have seen serious changes during these 65 years. I’m not making this up.

  https://www.youtube.com/watch?v=5MhOZt5-Jl8

Maybe I’m just dreaming it, but if I am just dreaming it, well shut my mouth.

But as I was sayin’–I’m talking’ ’bout Alabama now–the place where all of our darkest southern closets got blasted open, oftentimes on nataional TV, to reveal them skeletons in them closets, them skeletons of racism that most Alabamans have now left in the dust of history but every now and then someone drags them old skeletons out of them closets.

Dogs sicced on freedom riders, four martyred girls in 16th Street Baptist Church, Birmingham.

But I’m here to tell you this blood was not shed in vain. The blood of the martyrs is the seeds of. . .

So these days, November 2016, y’all can rant in the streets all you want to, but I’m here to tell you that this new Attorney General appointee, Sen. Jeff Sessions, him about whom the Dems are so upset, while they be trying to affix the R-word to Senator Jeff’s reputation just because he be from Alabama, and yet I see on Resurgent this morning these photos of Jeff Sessions holding hands with Rep. John Lewis

   http://theresurgent.com/seriously-trump-the-pictures-of-jeff-sessions-they-dont-want-you-to-see/   

as they were commemorating the stand taken back in the day, 1965, when Dr. King, Dr. Abernathy, young John Lewis and many others who, being with them all together of one accord and holding hands, marched across the Edmund Pettus bridge while trying to walk from Selma to Montgomery but then them Alabama troopers sent out by the old Wallace, not the later-repentent Wallace, stopped them civil rights marchers on the bridge and beat the hell out ’em.

   http://www.history.com/topics/black-history/selma-montgomery-march/videos/bloody-sunday   

But I’m here to tell you this blood was not shed in vain. The blood of the martyrs is the seeds of. . .

As the poet said, and still says, the times they are a-changin’.

And so they did, and they still are.

Hence, just a year ago as I was cleaning a laundry room at work and listening on the radio to John Lewis’ account of that infamous Bloody Sunday event, as he was recalling it to Terri Gross or Diane Rehm or some other radio luminary, and I remember what Rep. Lewis said about being beat up and it was some bad shit going down but they lived to tell about it and ultimately they prevailed all the way to the steps of the Alabama state capitol and beyond, and Dr. King spoke and it really stuck with me.

So now in November 2016 I’m seeing this jpg of Sessions and Lewis holding hands on the Edmund Pettus bridge and

this has all happened in my lifetime, y’all.

Please don’t tell me it was a dream. Let me have my dream. I have the dream, all God’s children, remember, wait for it . . . don’t you have a dream?

I mean, this all happened in my lifetime y’all.

Alabama, please ya’ll don’t forget this excruciated crucible of our great American dream, where the blood of saints and sinners was shed for the liberty of us all. If you ever go there, remember you’ll be treading on holy ground, ground made holy by the shedding of the blood of the Lamb,

   http://www.history.com/topics/black-history/birmingham-church-bombing   

but that was before the stars fell on Alabama. Now people there have seen the light, or at least I hope they have. I’m willing to give them a little grace, and some space, to cross our next bridge.

How ’bout you?

Glass half-Full

from Ridiculous to Sublime

September 28, 2016

A couple of nights ago, I briefly tuned into that  greatly over-hyped debate. Donald was blathering about Hillary’s emails and she was going on and on about his failure to release tax returns.

Nothing new here, just more of the same old same old blah blah.

So I ditched it, and went back to what I had been doing before, because, I thought, this is ridiculous.

Well then a day or two rolls by.

This afternoon, while listening to WDAV on the radio, my soul was stirred profoundly by the hearing of an amazing selection of music. And I found myself wondering, what is it about this music that moves me so much?

I don’t know, but I can tell you one thing. This music it is sublime.

What is sublime? you may wonder. I cannot adequately explain to you what the word sublime means, but I can show you where the meaning is clearly demonstrated if you will listen to this:

   https://www.youtube.com/watch?v=qOofwWT3Edc

As the changing drama within the music builds up, pay particular attention to these     minute-time points in the video: 2:58, 4:00, 5:55 and 8:32.

I recently read something about how or why  this artistic dynamism moves us so much. In his book, A Secular Age,

  https://www.amazon.com/dp/B002KFZLK2/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1

Charles Taylor says . .

“. . . such art can serve to disclose very deep truths which in the nature of things can never be obvious . . .”

This music is, after all physical analysis is said and done, merely a pounding of wood and metal beneath the orchestrated hands of trained men. How can it be, then, that it moves me so?

To try to understand why or how, you might as well try to comprehend how or why, over two centuries ago, some men and women like you and me had a luxurious building constructed and then  walked around on its mosaic floor like they owned the place and then later a bunch of other stuff happened and things changed and it got covered up for a long time and then one day some other people came along and dug it up and said . . .

“. . .well, gollee, what do you know about that?”

“Gosh, Jeb, it’s a mystery to me.”

RomanAthens

Glass Chimera

The Troubled Waters

July 26, 2016

TroubledRiver

Paul Simon presents a grim solemnity as he croons his old tune, Bridge Over Troubled Waters, for the convened Democrats yesterday in Philadelphia. In  sharing with them this classic, well-loved anthem that he wrote, Paul imparts a  sense of profound desperation. But the weary, hopeless person whose dire circumstance is so poetically described in the song receives, in the end,  a deliverance. Hope shines through when a caring friend intervenes.

Paul’s tender message of friendship is well-received by the Democrats. They take the inspiration to heart by joining in, and swaying to the music’s gentle rhythm.

   https://www.youtube.com/watch?v=v12fPV6QmeU

While viewing this scene on YouTube yesterday, I noticed Paul’s grave countenance, and I was a little surprised by the obvious aging that has reshaped his face.  Many years ago, I was greatly moved–as many of my boomer generation were– by his poetic, prophetic songs. Here is one from back in the day, for which he is perhaps most well-known:

  https://www.youtube.com/watch?v=JDIjj7CQYZw

 That was Paul Simon then, in 1965; but this is now, 2016. The world seems to be a very different place.

Yesterday in Philadelphia, the assembled Democrats responded empathetically to Paul’s solemn presentation of Bridge over Troubled Waters.      

But We Americans are a diverse collection of people. Those communitarian Democrats represent a certain segment of our population. There is, however, another strain of us Americana whose emphasis is not so much on community and everybody getting together to solve society’s problem.  I’m talking about the rugged individualists.

About the same time–mid 1960’s–that Paul Simon was so profoundly poeticizing our youthful alienation, there was– on the golden horizon of seasoned celebrity– another very popular singer. He was a smooth crooner whose older, mellowing generational zeitgeist had arisen from a very different historical time and circumstance.

Here’s a clip of Frank Sinatra, the original crooner a la 1940’s, as he belts out the song that became a theme for many, many Americans of his generation. It is a tune that expresses the determination and perseverance of his generation–the same generation that ran the Nazis and the Fascists back into their holes over there in old Europe.

  https://www.youtube.com/watch?v=PnXIPV6Jh4Y

Ole Blue Eyes Frank made it big during his given time. Back in his day it was all about celebrating the good times that settled in after the War, getting all dressed up, having a few drinks, and laughing.

A couple of decades later, the sensitive poet Simon, like Dylan and others, came along, touching the troubled nerve of a booming generation that couldn’t seem to find its place in that old way of viewing the world.

So, seeing yesterday, ole Paul as he lead the communitarians in wailing that tender tune–this had an meaningful impact on me. Finding myself now in a never-never land between two obese political parties, I am alienated, wandering, looking for the party, but unable to find one that celebrates what I know to be true.

Stranger in a strange country, I wonder as I wander. . . out under the darkening sky.

But every now and then I encounter something or someone that partly expresses what I dimly discern in this land of  troubled waters– a stubborn, though fragile, life that is draped in mystery, yet with occasional glimpses of our sure mortality, and a hopeful longing  for immortality.

  https://www.youtube.com/watch?v=UuXb4She_sU

Glass half-Full

When the green buds are swellin’. . .

May 9, 2016

Spring rushes in; the world is turning;

every impulse sends forth new yearning.

Green sprigs sprout up fresh and tender;

passion’s pangs of love they render.

BudBlm1

Some folks find love and cultivate;

they come together and procreate.

Others yearn and burn and go to town;

instead of loving they just screw around.

For some love works out really well

the passion swells deeper than I can tell.

But some yearnings get nipped in the bud

when careless affairs turn to crud.

While spring is new, passions are old.

In the annals of song a sad love tale is told

of love that budded but ne’er did bloom.

Herein begins the ancient Barb’ry Allen tune:

” ‘T’was in the merry month of May

when the green buds they were swelling,

Sweet William on his death bed lay

all for the love of Barb’ry Allen . . . “

   https://www.youtube.com/watch?v=NqHJ4V893e0   

But despair not; some lovers pair faithfully.

Swelling with commitment, they grow up gracefully,

even through ordeals and terrible times;

true lovers do generate inspiring rhymes:

   https://www.youtube.com/watch?v=4lnJSW-OUyM

“This couple they got married,

so well did they agree.

This couple they got married;

so why not you and me?

Oh. . . so why not you and me?”

And this this works out well.

BudBlm2

Glass half-Full