Archive for the ‘creatures’ Category

Puff and Jackie Paper

June 5, 2018

For many, many years I have wondered about Peter Yarrow’s mention of “a land called Honah Lee,” in that silly old song he wrote about a dragon named Puff.

Just yesterday I was wondering as I wandered along the shoreline of Hanalei Bay, Kauai, Hawaii.

While vacationing on the north shore of Kauai I had been feeling a little constricted by the touristy setup there. It was obstructing my sense of adventure.

So, busting out of conventionality, so stealthily did I violate the boundaries of tourist propriety by launching into an unauthorized jungle trek.

Jungle2

Past the condos and the pool and the shuffleboard court and the boats-for-rent and the obligatory paraphenalia of predictable recreation, I stepped stealthily into a kapu area of overgrown, untended wild Hawaiian hoohah!

Through broadleaf wild flora damp with recent rain I did venture, stooping beneath gangly trees, tromping around some ancient black volcanic boulders and fearlessly bounding over others, I hazarded the uncharted course I had serendipitously set for myself, plodding along the secret shore, and footprinting wet brown sand, I splashed forth  through shallow wavelets along the neglected eastern edge of Hanalei Bay.  This untamed pocket of Hawaiian paradise has somehow proliferated between two resortified developments of American flimflam.

’T’was then the dragon entered my mind:

“Puff the magic dragon lived by the sea,

and frolicked in the autumn mists of a land called Hanah Lee.”

Here was I, perchance, sauntering adventurously through the last wild boundary of Hanalei Bay, maybe a little like the legendary Puff in that old classic Peter, Paul and Mary song:

   https://www.youtube.com/watch?v=z15pxWUXvLY

Within the deep recesses of Baby Boomer recall, Puff the Magic Dragon still yet  blows through, across an ocean of imagination. Can you hear the tale?

“Little Jackie Paper loved that rascal Puff

and brought him strings and sealing wax and other fancy stuff.

Together they would travel on a boat with billowed sail;

Jackie kept a lookout perched on Puff’s gigantic tail.”

Once upon a time, when there was as yet no jet-plane, no cruise-boat, no trans-Pacific ocean liner. . . long, long ago while approaching an island far, far away, during an age in which the only transport to these remote islands of Hawaii was by sailing ship. . .

“Little Jackie Paper loved that rascal Puff,

and brought him (from highly developed, civilized countries far, far away) “strings and sealing wax and other fancy stuff.”

Do kids these days even know about strings and sealing wax? This is ancient legend stuff. I mean, who uses strings and ceiling wax these days? Who folds an envelope and closes it and then affixes the back flap with a buttoned string and a blob of richly-colored wax impressed with a regal insignia?

Nobody I know of. You?

These were communicative implements of a by-gone age, when persons of certain authority or rank used strings and ceiling wax to assure a remote recipient that the letter or parcel being hand-delivered had originated with the accredited sender.

Such strings and sealing wax were used in centuries long gone, when mighty sailing ships voyaged halfway around the globe from London or Lisbon or Boston or some such port of great commerce.

Those majestic ocean-going vessels would arrive with pomp and fanfare at many  an exotic destination along the way, where fabled creatures inhabited magical shores, places where a fast-industrializing world had only recently managed to  impose  its rigid demands of productivity, efficiency and conformity on clueless, unsuspecting noble savages such as Hawaiians were when all this commercializing globalization had only just begun.

Puff the Dragon was the quintessential  wild uncivilized creature of old; he held sway over that formerly vast, untamed region where primeval legends prevailed, as yet unspoiled by modern mediocrity, a time and place where magic and myth, not capitalizing pragmatism, still reigned supreme.

So, in the 1950’s-60’s televised commercialized USA where young Baby Boomer imaginations ran wild with the likes of Mickey and Minnie and Davy Crockett and the Jetsons and the Flintstones . . .

Little Jackie Paper, the nascent civilized child, found Puff among his privileged playthings. And letting his imagination run wild, he frolicked with Puff in the autumn mists of a land called Honah Lee.

For a few years, he made play of Puff— until young Jackie decided to move on to bigger and better pursuits . . . baseball, hot dogs, apple pie and Chevrolet, Elvis and the Beatles, Mustangs and Volkswagens,  Lost in Space and lost in purple haze,  caught up in fantasy and privileged college days, gathered up in protests and rockfests and counterculture forays, and eventually outgrowing even all that stuff and finally picking up the better “toys” of governments and companies and  corporations . . .

“A dragon lives forever; not so little boys.

painted wings and giant’s rings make way for other toys.

One grey night it happened; Jackie Paper came no more,

and Puff that magic dragon ceased his fearless roar.”

Surely we now understand this about Peter Yarrow’s classic song of forsaken childhood innocence: In the end, Puff ceased his roar because . . .

Jackie ceased his playing. The roaring voice that had bellowed was not Puff’s at all; it was young Jackie’s intonation of Puff’s imagined roar.

Remembering this old tune while trudging along Hanalei bay. . . dredges up old memories.  My feeling is that the quaint longevity of this simple song slips up from beneath the surface of a sea deeper  than mere child’s play.

It is a longing for the past; it is a vague recollection from our collective vault of  wishes and dreams; it is a pining away for a former age of mankind, a time when the people who were in charge of things were benevolent and empathetic, a Camelot time before the brouhaha of democracy, a Shangri-La time before the anarchy of revolutions, before the abuses of communism. . . a simpler, Arcadia time before everything got so complicated and leaders were not so self-infatuated, a time when . . .

“Noble kings and princes would bow whenever they came;

pirate ships would lower their flags when Puff roared out his name.”

  King of Soul

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The Saga of the Stick

April 28, 2018

Herein is told the ongoing tale of them that do, doing unto them that get done unto.

Going back in time we find . . . Stuck in a perilous situation, homo sapiens grabbed a big stick and started swinging it.

His strategy worked sufficiently for subjugating wild animals and other scary intruders.

Scary

With frequent use, wielding of the stick became an habitual strategy for homo sapiens’ survival. Before long, he was expanding his use of the stick as a staff to herd sheep.

By herding sheep and scattering seed, sapiens man was able to survive on a higher level, and so he ascended to a certain  sovereignty over his surroundings.

By ’n by, by finding fire, he discovered he could roast and toast and scald food and in so doing consume stuff more satisfactorily. This utilization of incendiary power also supplied heat sufficient to smelt metals from ores and to cast tools from stones and then to strike utensils for use in shaping a new way of life and ultimately a society.

“Hunters and gatherers we will be,” said the shepherds in their new society.

“Shepherds and smelters we shall be,” said the scions in their new ascendency.

Such satisfactory progress afforded sapiens some time to ponder the universe he was espousing. Moving right along, sapiens man began scribbling squigglies on  stones, scratching symbols on papyrus, and certainly scrawling scripts on scrolls.

“Scholars and stargazers we shall be”, said the Scions in their ascending hierarchy.

“With swords and sceptres will we assert our sovereignty; with scythes and scripts we shall extend our authority.

Take ye these instruments,” said the sovereign to the scion.

“Distribute these scythes and sickles; supply these utensils to yon peasants to scatter and to sow  seeds in our fields.

Take these here symbols and scripts; scribe them upon the hearts of our people and in so doing implant our sovereignty over them. Establish our legendary sacrifices that such may become a sacrament unto them. Sow the seeds of our royalty, and thus harvest surplus with which we shall surely abolish the scourge of scarcity.

Clothe their servitude with civility. Sever their discontent with circuitous servility. With sword and scepter and script shall ye establish our ziggurats of slavery by which we shall  dissemble them in the latest greatest viral-spinning splendors of sensuous satisfaction.

Urge them to spin in circles of superfluity.

Like them and tweet them and retweet them and thus sheepify them, deleting  from them their former certainty and by ’n by  their very liberty.

Cast ye the rising symbols of our datified sovereignty over them.

From search engines squeeze forth pseudos of science, as the tube yieldeth toothpaste until it is rolled and trolled and empty as a zero hero. Quantify and datify and pacify these scruffy malcontents. Render them thereby castrati and technocrati and couchpotatoati.

Swing ye the sword of censorship upon their scribblous postings while they yet cannot detect our tampering with their turbulent protestations.

Tell them to Get thee to a neutereing nunnery— lest their spurting emissions prolong the cursed progeny of our climate changing catastrophe!

Eliminate their emissions!

Publicize their scandalous commissions!

Narcotify and opiafy and entertainify them until they’ve been sufficiently socialized to binge upon the fodder of fakenews foolishness until the cows come home while the social medias drone on and on.

Stick it to ‘em,” said the hierophant to the sycophant.

Herein was told the the ongoing tale of them that do, doing unto them that get done unto.

So . . . of which group are you?

Glass Chimera

Spider and Worm

June 15, 2017

Webspu2

Delicately delicate, she suspends it in space,

and spins from her scuttle this air-strewn lace.

Over and over and over again she splices

spidery substance with spot-on slashes

wider and wider through space/time she dashes.

So silvery it shines in morning light

inspiring this human with her shimmering site.

Meanwhile down way down in earthen ground

wiggly worm weaves his way around,

dirty and grubby and stubby and slow

crawling and hauling his humus so low.

He don’t see no nothin’; he just go and go

through sludgy mud and slimy cruds

in soils he toils, ’til shovel turns over his boring drudge.

Worms

These two together are wild working partisans:

the annelid laborer and this arachnid artisan.

Master worm slung low, Madame spider spinning high,

dug in dirty and low and strung up in airy high,

until both annelid and arachnid do wear out and expire.

The earth and the sky turn lower and higher.

Glass Chimera