Archive for the ‘creation’ Category

Life~Trouble~Tragedy~Music!

April 13, 2019

In chapter 18 of King of Soul, we encounter one exploration of how music arises from human life.

In the year 1969, Professor Victor Komienko explains to his Music Appreciation class how a certain kind of music may arise:

“The University is the Defender of  high standards in all of the arts; music is no exception. In the slings and arrows of outrageous  intrusion, the best standards of the ages are maintained at the Conservatory, or as we have here, the University. This is a college where the fundamentals of performance are passed on to the next generation of musicians, and where time-tested principles of effective composition are taught. At the same time, the Conservatory—or  University—retains and extends those foundations, so that appropriately innovative works can be brought forth.” Dr. Komienko looked up to the top row of the auditorium; he surveyed his class purposefully from the top row down. The baton in his hand tapped out a quick little rhythm on the podium.

“Do you have any questions so far?”

Teddy, halfway up the center aisle, raised his hand.

“Mr. Scher, of course you would have a question.”

“How do you feel about electrified instruments?”

“You are asking about electric guitars?”

“Yes, sir.”

“As you know, electric guitars have a high profile in contemporary popular music. As for their use in the classical legacy, we have not yet seen it. I will say, however, there is an indirect influence insofar as some of the big jazz bands of the 1930’s, such as Duke Ellington and Cab Calloway.  The electric guitar, used primarily as a rhythm instrument, has become a standard part of their jazz arrangements.

“George Gershwin has included in some of his compositions rhythms and melodic figures that originate with the Negro music, which has been brought over, as we know, from Africa. Gershwin’s Rhapsody in Blue is the most notable example of this influence. The sound of the electric guitar itself, as an instrument, has not yet been heard to any extent that I know of.

“Traditionally, the guitar, unamplified as an acoustic instrument, has found an honorable place in the classical repertoire, most notably in the works of Spanish composers such as Segovia, and  Rodrigo.”

Teddy Scher raised his hand again.

“Yes?” Dr. Komienko responded, with a slightly disconcerted tone.

“Have you heard that the London Symphony has performed with the Moody Blues?”

“I have heard that they have done that. I have not heard any of the recordings. Thank you, Mr. Scher, for bringing that to my attention. We must, however, move forward with our syllabus now. Today, we will listen to a selection from the Italian Baroque period, Vivaldi’s Summer movement of the Four Seasons.

“The composer wrote notes to communicate to the orchestra the character of the music. In this case, Vivaldi had written a poem, which included the image of a shepherd boy being frightened by the fury of a thunderstorm. Vivaldi evokes, in the music, the fearsome effect of that storm. Additionally, he wrote at the top of this score—the piece you are about to hear—this musical instruction: Tempo Impetuoso. What does that tell you? Let’s listen to it, and perhaps  we will comprehend just what the composer was indicating by the use of that descriptor, Impetuoso. I do believe, Mr. Scher, that you will agree with me after hearing it, that, in some ways, Antonio Vivaldi was a forerunner of the rock music genre, which is driven, in its 20-th century heart, by that”—the professor raised his hands, indicating quotation marks with his fingers—’electric guitar you mention.’

“Of course, there were no electric guitars in Vivaldi’s day. However, in this case—the piece you are about to hear—I believe that same impetuous spirit of a present-day  lead guitarist was resident in a virtuoso  solo violinist of that day, whoever he might have been at the time.

“The violin concerto—commonly  called  Le Quattro Stagioni, or the Four Seasons—was originally named by Vivaldi, in 1725, as Il Cimento dell’ Armonia e dell’ Invenzione , or translated, The Contest of Harmony and Invention. Perhaps, as you listen to this selection from it, you can surmise why the composer considered this work to represent a contest—or a sort of dual—between conventional notions of what music should be, as opposed to what music is as it is created and performed by the impetuous innovator—in this case, the soloist. Such  is the perennial contest, from age to age, between art that is generally acknowledged as appropriate and new art that is thought to be too disruptive.

“Now listen, and hear if you can, , the composer’s prescient gleaning of what music might become two and a half centuries later.  Arnold, please roll the tape. . .”

You will find one demonstration of this phenomenon here:

https://www.youtube.com/watch?v=kaoqCARilbA 

 

King of Soul

DNA the best Way

April 1, 2019

The dispensation of DNA

is best when it’s done in an orderly way.

What’s needed is that any man who so yearns

should direct his emissions in loving terms

to the same loving recipient every time:

all his kids have the same mama on down the line.

So let the ladder of life, the DNA

be distributed in a family way.

From the itinerant visionary

LadderJ

to the coding contemporary,

DNAdubhelx

counsel the loopy adventurer with his genital arrow

to find motherly love in the strait and narrow.

So the resulting kids will grow up right,

and not be left in a social services plight.

You may think I’m old-fashioned in this,

but ’tis not a principle to flippantly dismiss:

The distribution of our precious DNA

is bestly dispensed in the family way.

Now if you guys think that I’m not cool,

well I AM cool, y’all. . . and no April fool!

Glass Chimera

The Effluence of Man

March 10, 2019

“Be fruitful and multiply, and fill the earth, and subdue it”

Way back, way back in the dawn of human history, this is what God told Adam and Eve to do.

“. . . and rule over the fish of the sea and over the birds of the sky and over every living thing that move on the earth.”

Now since that ancient job description was laid on us by the One who had set it all into motion . . . that is what we humans have done. Look around and you will notice that, yes, we have taken charge of things here. Our present arrangement includes, for instance, a bureau of wildlife and fisheries, among the many agencies and entities of our civilization.

Consider that couple I mentioned earlier, Adam and Eve. When they were told leave the special garden, they wandered out upon the earth. And the earth was a wonderful place. But it was also a wild place. Homo Sapiens was, in truth, not the only critter roaming around. There were many others; some were relatively easy to get along with, and to manage. Others, not so much. Some were downright vicious, even murderous, and  we humans had to deal with them.

We had to “subdue” them. We had to whoop them into submission, or sometimes even slay them.

Life was not easy for the early people. They managed to pull it off, you know, and to slay the wild beasties, and to erect structures to shield us from the heat of the sun and the cold of winter. Taking unto ourselves native resources we managed to subdue the natural world in in such a way that we could actually survive, and not only that, but . . . prosper!

Yes, prosper we did. Big time. Look around in 2019 and you will see that we have taken this subduing and ruling and managing earth’s bounty to such a point of advanced development that you can hardly find a spot on earth now that hasn’t been somehow impacted by what we do.

Ole Adam, you know, when he had wandered around for awhile, discovered a little odd wrinkle of unpleasant result that he had to deal with. Whenever he and Eve and their kin would take unto themselves some fruit of the field or slain beast of the earth and consume it through the mouth, a little while later, a deposit would be ejected from the the lower end of themselves.

Probably, in that early phase, that deposit was not such a big deal. Oh yes, it smelled a little unpleasant, and it obviously was not a thing to be handled by hand, or re-consumed, or anything like that, so chances are they could just step around it and keep on goin’.

Since that time mankind has become so adept at subduing earth, and so prolific with not only the good stuff but also the bad stuff . . .  we find that we have quite an accumulation of stuff that we leave behind, stuff that—if we didn’t deal with it, it would come back to haunt us.

So we deal with it in a way that makes some scents:

Pottie

And we have to remember too that our deposits are not only of the fecal category. There are other deposits, many varieties of stuff that we release into the earth. While some of it goes down, such as the effluence dropped into that facility pictured above—some of it goes up.

Up until a few hundred years ago, our stewardship assignment from God did not necessarily seem like such a big deal. We figured out that mankind was faced with certain clean-up chores. These chores must accompany our subduing of the natural environment, or we have a bit mess on our hands.

But then two hundred or so year ago, we started powerizing everything we do. Industrialization ramped up with the steam engines, burning fossil fuels to power our development in such an advancing way that our impact on the subdued world was multiplied exponentially . . .

and the next thing you know, it got ahead of us, and we had a big mess on our hands.

IndustExh

Now when I was a young man—I’m talking 1950’s-60’s etc—some of us caught a whiff of what would happen to us and our planet if we didn’t somehow get a handle on this thing.

AutoExhst

As it turns out, not only do we “subdue” the earth, but we discover along the way that if we don’t resolve to act responsibly, the earth will react against us in a big way. What happens is: the air and water throws right back at us, injuriously, much of that same junk we have been dumping up and dumping down on God’s green earth.

So it turns out that in addition to subduing the earth, we must, in some careful ways, subdue ourselves. We need to curb our effluence and control our emissions. Otherwise, down the road we’ll be up shit creek without a paddle.

Mudhole

Now there are a whole bunch of noxious substances and complex-molecule compounds out there floating around in the mudholes of our civilization. Many of them are not easily broken down by natural processes, although they do seem to disappear. . . out of sight, out of mind—smoke, smut, exhaust, particulates, sulfur dioxide, chemical waste, polycarbonated biphenals, etc., carbon monoxide . . .

Yes, Virginia, there is an awful lot of this unhealthy stuff going up and down every day that we need to deal with. And you know what?  We need to curb our wastes as much as possible. Just like mama always said, Clean up after yourself.  This is true on a worldwide level.

 We have figured out that we do need to clean up on a planetary level, because we, the human race, do occupy this planet on a worldwide level. Nowadays, the folks who are paying attention to this sort of thing think it’s all about carbon emissions, and they’re making a big issue about it. But actually it goes much deeper than just carbon emissions.

There are, in truth, a few, you might say, “canaries” out there in our great planetary coal mine–the industrialized  world–and those birdbrain indicators are obsessing that, yes, collaborative stewardship is necessary if we are going to retain any decent quality of life on our planet for future generations. Reminds me of Genesis:

“. . . and rule over the fish of the sea and over the birds of the sky and over every living thing that move on the earth.”

“Rule over” does not mean merely control; it also means: Protect. Protect those fish and birds . . . and, btw, all the rest of us critters, especially those who walk around on two legs.

In the current playing out of this scenario, I came across an article this morning that identifies and analyzes constructively some of the issues we are now–and will be from now until eternity—dealing with in order to subdue our planetary problems.

Chris Martenson writes a cogent analysis that initiates a process of clearing the hyped-up political air:    https://www.peakprosperity.com/blog/114861/deconstructing-green-new-deal

Let’s work together and work this mess out. Do unto your political opponents as you would have them do unto you.

Song:  Deep Green 

Glass half-Full

the Word BigBang

January 18, 2019

Way, way back in time, before all this stuff was here, even back before the Big Bang, something very amazing happened.

Reflect

I was wondering about our universal origin, so I  took a chance on a Wikipedia entry about it. This is what I found:

The (Big Bang) model describes how the universe expanded from a very high-density and high-temperature state.”

Scientists and dreamers like me have, for many and many a year, puzzled about what that “very high-density and high-temperature state” might have been.

I was pondering this development. My irrational dreamer self was wrestling with Reason as I attempted to figure out what that very high-density pre-Bang substance might have been. Being the 20th-century educated baby boomer that I am, my mind stumbled into an idea that I must have discovered in a science classroom somewhere along the line. Therefore, E=mc² banged into my big (bigger than a chimpanzee’s) brain.

Energy = mass x the speed of light squared.

Which means something like: When a very small chunk of (mass) material stuff gets its atomic parts whirling around at a certain  extremely high speed, and when that speed is zipping along at a rate of that same velocity multiplied by itself (faster than I can imagine), the whole baleewick crosses some kind of transformational threshold and suddenly that mass of nuclear stuff gets changed Presto Chango! into something fundamentally different— Energy!

Waves and waves of energy . . .

Energy. . . hmm. . . whataboudit . . . Now I do know that there are many different forms of energy. There’s kinetic energy, like a bat hitting a ball, which then suddenly propels that ball to an absolutely reverse direction from the direction in which the pitcher had pitched it. Pretty amazing thing for a batter to do, when you think about it.

Amazing. Lots of amazing in this universe. Moving right along. . . don’t blink or you’ll miss something.

And then there’s potential energy, like Mr, Newton’s apple, which was, naturally, connected to an apple tree until, all of a sudden, something gave way and the apple dropped to the ground, which provoked Mr. Newton to ask:

Say what?

Which translates from 17th-century English to: what the heck is going on here? Or, if you’re an out-of-the-box kind of thinker . . . what the hell is going on here?

Potential energy instantaneously being converted to kinetic energy! That’s what.

Perhaps it’s a little microcosm of the Big Bang, but on an exponentially smaller scale. The apple does make, you know, a kind of thud when it hits the ground, and then it transforms into a treat for an itinerant traveler to partake thereof.

Meanwhile, back at the tranche,  back to the the case of the macrocosm, the, as it were,  Big Bang, which was hypothesized as high-density matter being converted suddenly into kinetic energy, and subsequently expanding outward . . . (as John Lennon sang back in the day) across the universe . . .

and then, along the way, settling into a reverse of the mass-to-energy scenario, back into the energy-to-mass state of being, which brought forth . . . mass, stuff . . .

a Universe, duh . . .

I can only wonder, well, it is what it is, or . . . or it is what it has a become, as a result of all that instantaneous transformation, which has been transforming itself over 14.5 billion years to ravel as what we call “the Cosmos,” and everything therein.

14.5 billion years of unfolding Universe.

Wow!

Francis Collins’, in his book the Language of God, described the beginning of the phenom, this way:

“For the first million years after the Big Bang, the universe expanded, the temperature dropped, and nuclei and atoms began to form. Matter began to coalesce into galaxies under the force of gravity. It acquired rotational motion as it did so,  ultimately resulting in the spiral shape of galaxies such as our own. Within those galaxies local collections of hydrogen and helium were drawn together, and their density and temperature rose. Ultimately nuclear fusion commenced.”

All of this posited data reverberates in my 21st-century brain, settling into my born-again spirit, and restates itself as an expanded statement of Moses’ ancient, pre-science explanation:

“Then God said, ‘Let there be light,’ and there was light; God saw that the light was good; and God separated the light from the darkness.”

Makes sense to me. You?

Glass half-Full

Dr. King remembered

January 18, 2019

I was a white boy growing up in the deep south.

In my life, 1951 . . .  a vivid memory stands out: the remembrance of this brave man:

MLKing

. . . his life, his work, his service to mankind, his leadership in the perilous project of fulfilling our Creator’s call to

. . . bring good news to the afflicted, . . . to proclaim liberty to the captives and freedom to prisoners . . . (Isaiah 61:1)

In my lifetime, I can think of no other American who demonstrated greater courage than Dr. Martin Luther King, Jr. He persisted tirelessly in the sacred call to blaze a trail of opportunity for oppressed people. He persevered in the face of certain death, as he fully understood the vengeful opposition of other men–white and black–who  ultimately took him down.

The name assigned to him at birth, King, was appropriate, as he went on to conduct the life of a true leader, a born leader, an orator, an organizer who truly fulfilled  the declaration of our nation’s founding principles:

 We find these truths to be self-evident, that all men are created equal,  that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.

In my lifetime, I can recall no other person who more deserves annual remembrance during a national holiday. Although he had his faults, his own sins as we all do,  he was a man of whom this world was not worthy.  In this world, he helped God and fellowman to “make a way where there is no way.” He blazed a trail toward that “equal” status mentioned by Mr. Jefferson and the Continental Congress when they composed our Declaration back in 1776.

I looking forward to meeting Dr. King in heaven, or whatever you call it. Many years ago, I wrote this song about him and an ancient leader named Moses:

Mountaintop

Believing or Figuring it all out?

January 8, 2019

You may believe, as I do, that we were created long ago in the image of God.

Or you may think that we evolved, even longer ago, from lower life forms,

Since we don’t really really know exactly how it all spun out, let’s consider these two scenarios for a moment.

What if one of our hominid progenitors were set aside in a select place and given a “special” touch by the LifeForce, so that the new being would share a certain spiritual characteristic or two with its Creator? . . .

instead of being just, you know, another dumb critter.

What if some of us, caught up in this mysterious thing called human history, chose to identify with the special Creation?

What if others of us just continued to evolve the rough-and-tumble way, acknowledging our primeval struggle through the long ranks of evolving, biological creatures. . . vertebrates, primates, hominids, neanderthals, and ultimately homo sapiens?

What if the  Creator (aka the LifeForce) set up both paths of human development—one being “special’ and the other being the long, gradual process that Mr. Darwin sought to explain?

And what if, according to our human predicament, you were able to choose which model of development you would subscribe to, and thus pattern your life by?

Which would you choose?

Come let us reason together.

Could it be that the LifeForce ignited that first big shbang, and then later selected a spot from whence to spark something new, called “life”, beginning at the very lowest level? and then took a sort of sabbath break from creating while allowing the life process to move forward in a natural way over a vast expanse of time?

On the other hand could it be that, at some point in said development, that LifeCreator sovereignly made a supra-natural selection, setting a particular primate aside and, sprinkling in the dust of the earth, and initiated thereby a spiritual, civilizing character through the soulish man and his other half, the loverly (wo)man?

I’m thinking that scenario would render some of us Sons or Daughters of God, while others would be sons or daughters of nature.

What if—way back when— the Sons of God saw the daughters of Men? And then, finding them desirable, chose to hookup with them?

What would we have then?

Perhaps we have a human race torn between simply believing versus  trying to figure it all out—a homo sapiens species somewhat divided between them who settle for the simple wonder of believing . . .

MornGlor

versus them who propose to analyze it and document the results:

Layers

Which would you be?

I have made my choice, because I have not yet been able to figure it all out.  How about you?

King of Soul

The two great between-war Rhapsodies

November 10, 2018

The greater rhapsody is the American one.

Composed by George Gershwin and performed in 1924, Rhapsody in Blue embodies the merging of our native black-born jazz with highbrow classical European instrumentation.

RhapsClarinet

The other great rhapsodic composition of that time, Rhapsody on a Theme by Paganini, created by the immigrant Sergei Rachmaninoff, represents a Russian music-master’s exploration of an Italian violin virtuoso’s experiments. It is also a great piece of music.

   https://www.youtube.com/watch?v=c33q87s03h4

Both rhapsodies are experimental, ground-breaking. Both are bouncy in their beginnings, disruptive in some transitional phrases. But both works resolve, rather suddenly, 2/3 of the way through development, to an exquisitely lush romantic theme.  The listener’s endurance in earlier discordant excursions through frantic forte poundings is unexpectedly rewarded with a sudden soothing melody. In both pieces, the earlier tensions disappear as they resolve,  melting into an absolutely beautiful melody.

And yet, both works return again to a frantic piano part before resolving again at the end.

Gershwin’s 1924 opus was intentionally concocted as a music experiment; it was commissioned by pioneering bandleader Paul Whiteman, and subsequently orchestrated by his jazzy arranger, Ferdy Grofé.

It turned out to be an extraordinary work of profound importance in the history of music.

By the 20th century, the hundreds-of-years old tradition of European classical music had reached an impasse. Composers were running out of ideas; they needed to break new ground. A morose preoccupation with dissonance and atonality threatened to turn orchestral music into academic drudgery.

Meanwhile, in the real world, Sergei Rachmaninoff fled Bolshevik Russia in 1917; in so doing, he also began a long process of escaping the heavy gravitational pull of a Continental musical death wish.

Europe’s rapid descent into World War I and wide-scale mechanized destruction was tragic.

America, on the other hand, was wide open with possibilities. Sergei traveled here and performed more and more frequently, accompanied by popular acclaim; ultimately he acquired US citizenship shortly before his death in 1943.

Before finally establishing residency Stateside, he had spent significant time in Dresden, Germany, and in Switzerland. While in Switzerland during the summer of 1934, he composed Rhapsody on a Theme by Pagnini.

It’s a marvelous piece of work.

Taking his inspiration from the great Italian violin virtuoso of a hundred years before, Sergei spun Niccolo’s multiple variations into an energetic iteration of thoroughly European rhapsody.

It was quite well done. . . profound, a notable accomplishment.

But Sergei did not have the benefit of one powerful influence that George Gershwin had been born into: a wide-open America with an entirely new beat, and worldview:

Black America.

America had given birth to Louis Armstrong, and  Louie— along with his ground-breaking black compadres— gave birth to jazz.

American jazz is what the Old World had been waiting for—though nobody knew—to get a new lease on creative life:

all that Jazz!

Atlantic City NJ honky bandleader Paul Whiteman was the pioneering musician who crossed the jazz bridge  that changed the world; later, he commissioned George Gershwin to compose Rhapsody in Blue, because Paul knew that something symphonically jazzy was needed.

And so Gershwin came up with Rhapsody in Blue.  The rest is history.

   https://www.youtube.com/watch?v=cH2PH0auTUU  

And that’s why I say the greatest rhapsody was the American one, the Blue one, written by an American, in America. It changed the world of  music forever.

King of Soul

Shifting Sands Sublime

November 3, 2018

Beneath the appearance of things

behind the wonder that contemplation brings

there lies a universe of joy and pain

entrained upon whatever relics still remain

of a world colored by some eternal stain;

and wherever that stain remains

things are not and will never be the same

provoking some to surmise it’s just a game

that they can play and then refrain

from any effort to name

or explain.

And yet,

so many live for what they can get;

they allow no time to pause and let

life just happen along the way

so they can soon look back and say

what a joy it is to pause and stay

in the lingering light of a well-lived day

while the world just turns on come what may.

Oh, history breaks on sands far away

while here we enter into the fray;

we laugh or cry along the way

tomorrow and today,

I say, I say:

If I could comprehend this troubled world

so creative, yet destructively unfurled

I’d grasp the mystery, so sublime

that slaps between the sands of time

on this ever-shifting, long shoreline—

this consciousness of mine,

maybe it’s in or out of line

and maybe with a little sip of wine,

yes, I’d dream up some silly little rhyme,

and whether it be sublime and fine

or not worth a dime,

it nevertheless is mine,

and yet it can be thine

if you take the time.

 

King of Soul

Beethoven

October 8, 2018

Before he raised the baton to conduct Beethoven’s 5th Symphony, Christopher Warren-Green told us Beethoven was a revolutionary.

ConductorCWG

He matter-of-factually referred to the most disruptive orchestral composer ever as a revolutionary. And just before cranking up the Charlotte Symphony, Chris speculated that those infamous first-four-notes, da-da-da-Dahhhh, were probably lifted from a French Revolutionary song of that era.

It was the worst of times; it was the best of times, as Charles Dickens later wrote.

Forsooth, ’twas a very revolutionary time—1776-1820.

And Ludwig van Beethoven was right in the middle of it.

Right in the middle of a time when the 18th-century European order of things was being torn apart by radical new  ideas about the People running the show instead of the old fuddy-duddy royals who had been doing it for hundreds of years.

The young composer from northwestern Germany was indeed a musical revolutionary; he revolutionized music.

He turned the purpose of music upside down. Whereas the old order of things, financed by the royals, was all about making beautiful, harmonic, perfectly constructed sonatas and concertos to celebrate order and perfection—-

Ludwig, unable to ignore the terrible angst of that tumultuous age in which he found himself living, reflected—yeah, he even embraced—that disruptive spirit of the times.

And when they heard it sounded forth in the 5th Symphony, the royals hardly know what to make of it.

Beethoven was like the Elvis of his times, except he had an entire orchestra behind him. Multiply Elvis’ chutzpah by the number of musicians in an orchestra. That was the effect of Beethoven on the world of music.

And on the world itself, as thousands of performances since then have revealed.

Or, If not Elvis– think of  Bob Dylan, the Beatles, Rich Mullins or whoever expresses your disruptive angst and propels it into an awareness that the world is forever changing.

Like it or not, the world changes; sometimes that transforming is not pretty. Sometimes it is even disruptive, destructive, revolutionary. Music–and art generally–needs, in order to be valuable, to reflect the times we live in, and the changes that need to happen–not portraying a rose-colored-glasses dream that masks the profundity and excitement of living on this dangerous planet.

It would have been very hard, you see, for the young German prodigy to adopt the comfortable precision and beauty of his courtly predecessors—Mozart and Haydn. Au contraire, Ludwig caught hold of the gritty thrust of those revolutionary times. He deeply felt that terrible, violent wind blowing out of France; and he did, as any self-respecting genius would do, transform that terrible zeitgeist into revolutionary Music.

A truly new music, never heard before.

Unlike like any orchestra ever heard before.

Better to make disruptive music, than impose bloody revolution.

CharlotteSymph

Be like Beethoven, not like Robespierre.

Work together like a revolutionary Symphony.

Teach the world to ring out Liberty!

King of Soul

Elemental shenanigans

August 20, 2018

At the Start, Hydrogen heaved ho.

Helium laughed. Lithium lay low while Beryllium became bemused.

But Boron bore the burden of all the work yet to be done.

Periodic Table

Then Carbon was conceived, and came forth in a manger wrapped in swaddling clothes, surrounded by angelic hosts of other elements, celebrated as the great center-point of history. He would go on to  bring myriads of other elements together in peace and productivity, but in latter days was criticized for attaching himself to everybody’s business.

Meanwhile, back at the ranch, good ole Nitrogen nourished all the stuff that came later.

Oxygen got involved and opened a whole new way of life.

Fluorine flew flags of fluorescence for all to see.

Neon knew nothing but nonsense, but was neutral enough to practice non-intervention.

Sodium solved a lot of problems, and he’s all over the map with that

Magnesium managed to make itself useful.

Aluminum lightened everybody’s load.

Silicon solidified his/her position, early on in the sands of time, and then later went on to establish a ubiquitous presence in the science of small smart circuits.

Meanwhile Phosphorus flamed along, brightening the path for others.

Sulfur suffered through a lot.

Chlorine clung to just about everything, cleaning house along the way, but has been known to kill when too excited.

Argon atoms are gone until somebody proves their actual existence.

Potassium produces plenteously.

Calcium is known as a great  collector of a lot of stuff.

Scandium is scant. Titans use Titanium to tighten up their tridents.Vanadium is very strong, while Chromium captures all the attention. Manganese manages to make good use of itself.

Iron Age innovations initiated innumerable inventions.

Cobalt combines with others to combat corrosion.

Nickel has made itself a necessity.

Copper’s a good cop,  conducts a lot of traffic.

Amazing Zinc sets up rustless zones wherever it goes. Thank God.

And then there’s Gallium; it has the gall to call itself a metal, as if it were a major player along with iron and nickel and all those other big-time movers and shakers.

Germanium is a dope in silicon valley. Arsenic is also a real dope, but reputed to be a pathological killer when let out of his cell. He hides behind old lace.

Selenium periodically illuminates this end of the Table, while Bromine combines medicinally and then resigns.

Krypton is a rare super-phenom found only in old comics of the 1950’s.

Now here’s the line-up for the second Period:

Rubidium rules while Strontium drools— radioactivity, that is— 90 times a second, I think, and then renders all those other metalistic johnny-come-lately wannabees as metalla non grata.

 If we keep this mining expedition going long enough, we could  find  lucky ole  Silver hiding under the Table.

Along the way we’re bound to kick up that perennial  also-ran can—Tin— he comes to town and makes the rounds, but always  ends up  wasting away in a landfill, a real slacker if there ever was one.

And I mean, sure, there are some bright spots on the Periodic Table. There’s the star of the show, gold, hiding down there in the middle of the pack, and glinting in at a clandestine #79. Highly-prized all the time, but he’s oh-so-hard to find, unless you’ve got a really big credit line.

Every now and then you may catch sight of that tempereal Mercury, but its hard to pin him down.  He never stays in one place long enough to amount to anything. He’s got a really hot temper, but, I’m told, a cold personality.

Down there in the middle of the defensive line there’s the Lead heavyweight– not very fast, but good on the line– a good blocker for those fast Uranium backs.

 Uranium backs are the stars of the show, you know, forever racking up the big stats. But most of them are real hot shots, and if their temper gets worked up, you can’t get rid of ’em. The refs kick ’em out of the game, but they hang around for a long time like they own the place and make trouble for anybody who crosses their path. Don’t cross ’em. If they get really fired up they’ll go plutonium on ya and that’s all she wr

Glass Chimera