Archive for the ‘beauty’ Category

What Waves Do

May 22, 2019

Pushed and pulled by forces from sun and moon

waves rolls across entire oceans

until they strike some thing.

Some waves pound upon a sandy shore and climb

until they can climb no more

and so they recede.

In great rounded loops they fall back into the sea.

Yet somehow their rounding retreats

striate into crisscross lines in sand.

Wavenccross

Some waves slap on roots, or reefs and rocks;

swiftly they swing and swerve in uncertainty

recasting light as swirly pearls.

SurfSwirl

Some waves churn up discrepant truth by summoning stuff

into yon distant slick of dubious flotsam fluff:

Is it mirage or mire or  mystery oil or what?

OceanSpots

. . . as seen plainly from a plane ! a glut of what?

Glass Chimera

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Corals and Us

May 21, 2019

Corals build:  secreting  calcium carbonate aragonite structural coenosteum through living coenosarc tissue situated between corallite cups, to form coral reef.

Shore

In this way, the coral grows and grows, and grows . . .

(Thank you Wikipedia: https://en.wikipedia.org/wiki/Coral 

We build too: We stack stones arrange rocks mix mud mix mortar concoct concrete lay block lay brick blah blah blah

ShoreBuild

We walk out from our built structures. Corals do not; they remain in their little aragonite colony that they have built.

Corals stay while we stroll.

From a distance, them corals don’t look like anything alive. They just look like rocks.

But they are colonies of living critters,

Coral

and they help other living critters to stay alive.

Including us. Corals break up the wave action so we can build our stuff on the beach. Even more than that, they can, over long periods of time, build whole islands for us to dwell upon and enjoy.

When the ocean recedes from corals, they dry up and die. It is only then when we can walk around on them and live on their vast skeleton structure islands.

So we understand that when corals die, they leave that coral colony structure as their legacy—their gift to us and to the rest of the world.

And they don’t even know it.

When we die, we also leave a legacy.

The coral ought to be part of our legacy. We ought to leave the coral for our kids. Don’t step on it; don’t poison it. Let it grow.

Think of that sign you may see while riding on the highway. Referring to the workman who build and improve our roads, it says:

Let ‘em work. Let ‘em live.

Because even though the corals don’t look like it, the corals are alive and working all the time, building habitat for their fellow ocean inhabitants— the fishes and all them other water creatures— and building reefs to protect our islands, and building a fascinating shore world for us to gaze up while strolling on the beach.

Them corals . . . you gotta love ‘em. They just keep quietly doing their thing. Not like us who get all hot ’n bothered about stuff.

Glass half-Full

Gold I Have Seen

April 22, 2019

On the Periodic Table of earth elements, gold is found in the middle of pack, at number 79. So while the shining yellow metal is just another lump or two in the great planetary array of substances, it is, and has always been, coveted and collected by us humans.

Gold has a curious effect on us. Through the ages, people have assigned many meanings and uses for the lustrous stuff.

I have seen gold on a few occasions in my life.  Like most folks, I am fascinated with the sight of it.  Here are a few pics of the bright metal I have collected. While pondering what gold represents, I made a list. For what it’s worth, here’s my take on what gold means to us.

~~~Gold as Wonder

Amazing how . . . ?

GoldCrys

~~~Gold as Beauty

GoldUrn

~~~Gold as Value

GoldCoin

~~~Gold as Religious Ceremony

An altar in a Catholic Church in Rome

GoldAltar

~~~Gold as Authority

This gold-tipped mast and dome is seen at the top of San Francisco City Hall.

GoldSFCity

~~~Gold as Power

In this room, the last emperor of the Hapsburg empire, Karl I of Austria, renounced all claims of royal authority over nations and empire. The renunciation took place November 11, 1918, the last day of World War I.

World War had begun in 1914 after his uncle, Archduke Franz Ferdinand, was assassinated in Sarajevo, Serbia, which was at that time a part of the Hapsburg Austrian empire.

From that point and time in history, the many families, dynasties, kingdoms, and empires of royal authority who have ruled the world for so long . . . began their slow, modern slipping into mere ceremony, and —many would say—irrelevance.

This room in the Schonbrunn palace, near Vienna, is now property of the Republic of Austria.

EndRoom

~~~Gold as Precious

a golden moment of precious repose, reflection and contemplation

GoldnMomnt

~~~Gold as Fidelity

Good as gold. . . in our case, 39 years and continuing.

Marriage

~~~Gold as Heaven

“. . . and the street of that city was pure gold.”  (Revelation 21:21)

I haven’t seen this one yet, but one day I will, thanks to Jesus, who was resurrected after being nailed to a cross.

King of Soul

Life~Trouble~Tragedy~Music!

April 13, 2019

In chapter 18 of King of Soul, we encounter one exploration of how music arises from human life.

In the year 1969, Professor Victor Komienko explains to his Music Appreciation class how a certain kind of music may arise:

“The University is the Defender of  high standards in all of the arts; music is no exception. In the slings and arrows of outrageous  intrusion, the best standards of the ages are maintained at the Conservatory, or as we have here, the University. This is a college where the fundamentals of performance are passed on to the next generation of musicians, and where time-tested principles of effective composition are taught. At the same time, the Conservatory—or  University—retains and extends those foundations, so that appropriately innovative works can be brought forth.” Dr. Komienko looked up to the top row of the auditorium; he surveyed his class purposefully from the top row down. The baton in his hand tapped out a quick little rhythm on the podium.

“Do you have any questions so far?”

Teddy, halfway up the center aisle, raised his hand.

“Mr. Scher, of course you would have a question.”

“How do you feel about electrified instruments?”

“You are asking about electric guitars?”

“Yes, sir.”

“As you know, electric guitars have a high profile in contemporary popular music. As for their use in the classical legacy, we have not yet seen it. I will say, however, there is an indirect influence insofar as some of the big jazz bands of the 1930’s, such as Duke Ellington and Cab Calloway.  The electric guitar, used primarily as a rhythm instrument, has become a standard part of their jazz arrangements.

“George Gershwin has included in some of his compositions rhythms and melodic figures that originate with the Negro music, which has been brought over, as we know, from Africa. Gershwin’s Rhapsody in Blue is the most notable example of this influence. The sound of the electric guitar itself, as an instrument, has not yet been heard to any extent that I know of.

“Traditionally, the guitar, unamplified as an acoustic instrument, has found an honorable place in the classical repertoire, most notably in the works of Spanish composers such as Segovia, and  Rodrigo.”

Teddy Scher raised his hand again.

“Yes?” Dr. Komienko responded, with a slightly disconcerted tone.

“Have you heard that the London Symphony has performed with the Moody Blues?”

“I have heard that they have done that. I have not heard any of the recordings. Thank you, Mr. Scher, for bringing that to my attention. We must, however, move forward with our syllabus now. Today, we will listen to a selection from the Italian Baroque period, Vivaldi’s Summer movement of the Four Seasons.

“The composer wrote notes to communicate to the orchestra the character of the music. In this case, Vivaldi had written a poem, which included the image of a shepherd boy being frightened by the fury of a thunderstorm. Vivaldi evokes, in the music, the fearsome effect of that storm. Additionally, he wrote at the top of this score—the piece you are about to hear—this musical instruction: Tempo Impetuoso. What does that tell you? Let’s listen to it, and perhaps  we will comprehend just what the composer was indicating by the use of that descriptor, Impetuoso. I do believe, Mr. Scher, that you will agree with me after hearing it, that, in some ways, Antonio Vivaldi was a forerunner of the rock music genre, which is driven, in its 20-th century heart, by that”—the professor raised his hands, indicating quotation marks with his fingers—’electric guitar you mention.’

“Of course, there were no electric guitars in Vivaldi’s day. However, in this case—the piece you are about to hear—I believe that same impetuous spirit of a present-day  lead guitarist was resident in a virtuoso  solo violinist of that day, whoever he might have been at the time.

“The violin concerto—commonly  called  Le Quattro Stagioni, or the Four Seasons—was originally named by Vivaldi, in 1725, as Il Cimento dell’ Armonia e dell’ Invenzione , or translated, The Contest of Harmony and Invention. Perhaps, as you listen to this selection from it, you can surmise why the composer considered this work to represent a contest—or a sort of dual—between conventional notions of what music should be, as opposed to what music is as it is created and performed by the impetuous innovator—in this case, the soloist. Such  is the perennial contest, from age to age, between art that is generally acknowledged as appropriate and new art that is thought to be too disruptive.

“Now listen, and hear if you can, , the composer’s prescient gleaning of what music might become two and a half centuries later.  Arnold, please roll the tape. . .”

You will find one demonstration of this phenomenon here:

https://www.youtube.com/watch?v=kaoqCARilbA 

 

King of Soul

Appalachian Spring

March 17, 2019

We are reminded that life is good when bright sunshine lifts the  slumber out of these old brown hillsides.

We know life is good when ten-month-old granddaughter contributes smiles to our quiet enjoyment.

Then she leaps with joy in her jumperoo.

Just outside the glass door, Appalachian Spring bursts forth in sunshine, warmth, and quiet celebration of a winter that is gone, gone, gone, and again I say unto thee, gone!

Gone with the snow, gone with the tragi-tales of our human’s wintr’ous struggle . . . at least for a season, at least for today, at least for a few moments. . . while spring tumbles in outside . . .

And lo, what is this amazing sound on the  inside?. . .  here in the inside of our mountain home . . . Harken: Violins, clarinets! cellos, flutes, even trumpets sending out yon first tender shoots of sonorous celebration, as first strains of mountainside spring penetrate the forest floor outdoors, accompanied orchestrally by vibrant  woodwinds and reeds. They agree to ascend  in jubilant rondos, ultimately trotting toward some old Shaker praise.

Life abounds with simple gifts if you wait for them, and even more sweetly if you have worked for them.  Now we pause to appreiate their arrival as the shoots come burstin’ out all over!

Yes, Life is good when bright sunshine lifts the slumber out of these old brown hillsides.

And reflections unfold in memory of springs long ago. . . a different time, a different place. . .

Many and many a year ago I was a clueless college student way down south, down in the bayou country where the coming of spring was too soon overtaken by the fierce heat of summer.

I would escape the routinous sweating of  academic chores. Slipping into the cool music listening room at LSU Student Union, I’d request a big vinyl platter whereon was somehow wondrously tracked the sedate, celebratory strains of Aaron Copland’s masterpiece orchestral work—Appalachian Spring. At that time I listened to Eugene Ormandy conducting the Philadelphia Orchestra. This morning, however, the quick search lands us on:

    https://www.youtube.com/watch?v=bMaAe2aH6pw   

AppSpring2

While listening, I am remembering . . . escaping through miracle of sound-tracked vinyl, that early-’70’s sweltering Southern day. I would dream, it would seem, of days ahead when I would experience Appalachian Spring, the real thing!

AppSring1

And now that I have seen, oh, forty-or-so of these Springs, as an inhabitant, I find myself once again sacramentally satisfied with the blooming outcome.

I was pleased when, 39-years ago, my chosen bride of Appalachia (a New Jersey transplant)  bloomed forth in her wonderful hips and delivered the beginnings of our family.

According to that first child’s  January birthday, it must have been about this time of year—early spring—when we conceived him.

Sap’s rising, yes indeed . . . was then, is now.

‘Tis true. Life is good when again you celebrate Appalachian spring’s crawling-in. The season sneaks in through splashing outside sunshine. While tiny granddaughter babbles here on the floor,  we revisit our  old musical companion once more: Appalachian Spring.

King of Soul

A Christian yankee in Pope Catolicas Court

September 5, 2018

How likely is it that  a Catholic-born, born-again Christian good ole boy from Carolina would ever wander into such a grotto of overgrown Catholicism as this?

SagradaEntrata

It did happen, today, in Barcelona. September 5, 2018.

Who’d’ve thunk it?

The Audioguide at Sagrada Familia Basilica requested that the listening visitor enter with respect.

Respect for what?

The incredibly modern-artistic classic-fantastic ecclesiastic  structure devoted to Christ and the Holy Family—Joseph and Mary—from which Jesus Yeshua HaMeschiah immaculate-conceptionally came?

Yes. As a Christian I entered respectfully, along with, presumably, all the other thousands of gawking, phone-clicking touristas and believers who darkened the door of Sagrada Familia Basilica today in Barcelona.

Respect for the Christ child who had been born to Mary back in the day of the Incarnation of the Word-made-Flesh person of Jesus Christ?

Yes, I entered respectfully.

Respect for the traditions of the the Catholic Church?

Not so much, having rejected that tradition in my born-again youth. Nevertheless, who am I, as a born-again child of God, to judge the spiritual legitimacy of this high-church, pope-revering institutional “etched in stone” architectural representation— possibly even faith-enhancing experience— of deep religious faith that I encounter and enter into here?

Gosh, guys, thanks for letting us in here. What a cool building! 

Meanwhile, back at the Cross. . .

SagradaCrux

Yep. I know that part. He died for my sins. Let’s not forget.

And of course, ascended into heaven and sits at the right  hand of the Father.

Yep, we can agree on that part. You gotta  believe it.

That’s the real clincher anyway, don’t ya think? The real tie-breaker.

I mean, who else in the history of the human race has made that claim and gotten away with it?

Like I said, you gotta believe.

And I, like, think I’m finding some common ground here.

Belief in the Resurrected Son of God.

Pretty amazing idea, really, if you think about it. You’d have to be crazy or Catholic or Christian to believe it.

And here you have it—“etched in stone” as the Audioguide lady voice says it . . .the story of how it happened that the Son of God Son of Man was crucified and then raised from the dead.

SagradaGospl

King of Soul 

Sand Beach

June 13, 2018

(With appreciation of Matthew Arnold’s poem, Dover Beach)

The Ocean is strong  today.

The waves roll in; the sun is bright

upon the Pacific. In this island surf the light

sparkles and tumbles; the rocky shores stand,

steadfast and vast, under a friendly sun.

Let’s do the beach; this afternoon’s energy is vigorous.

But hey! from this long splash of spray,

where sea meets the sun-kiss’d land—

Sand1

Listen! we hear the pounding roar

of sand grains which the waves draw back, and fling,

forever, upon this high strand.

Beginning and ceasing, and then beginning again,

with a forceful rhythm it perseveres, to roll

The eternal resonance of wonder in.

Dear Matthew, back in the day,

heard this on the North Sea, and it brought

into his mind the ponderous ebb and flow

of our melancholy brood; we

hear it still the same; yet with that lamenting we discern

a reverberating of relentless purpose

in this pounding Pacific shore.

Oh sea of faith!

Persistent and unrelenting, all ‘round our earth’s shore—

you flap forever like folds of a bright banner unfurled.

Although I also feel

that ancient melancholy, the long, withdrawing roar,

retreating, in the breath

of the evening wind, laden with our roiling refugees

and the uncared-for masses of the world.

Oh, people, let us be true

To one another! For the world, which seems

to boil before us like a pot of strife—

so disjointed, so distraught, so stubbornly the same,

really has somewhere some joy, love, and even flashes of benevolence,

some certainty— here and there a little peace— even some easing of the pain,

while we here on this fragg’ed globe

get swept with fake news and tweeting dweebs who incite us,

as ill-informed combatants clash with their devices.

Glass Chimera

The Perfect Curve

March 5, 2018

If you depart the city of Charlotte driving northward on I-77 toward Virginia, you will, about an hour later, cross over US highway 421. The traffic interchange there consists of a typical cloverleaf-type interstate-highway overpass with a looping exit ramp on which your vehicle descends from the overpassing I-77 down to the underpassing perpendicular US 421.

As I am a frequent sojourner between Charlotte and my Blue Ridge mountain home, I have performed this little maneuver many, many times over the last 39 years or so. Possibly hundreds of times.

Over the years, there is something very special I have noticed about this exit ramp, by which I steer the Subaru, veering slightly rightward and onward down the ramp, decelerating slightly and moving in a steady arc along a quasi-circular path to the destination highway below, on which I have then been redirected westward (although the sign says US 421 N) toward my domicile in the mountain town of Boone.

I say I have noticed “something very special” about this exit ramp, although this unique speciality is probably common to most every overpassing intersection that we’ve ever crossed o’er; and it is this:

As I turn the steering wheel for exiting onto the ramp, there is a point to which I can—less than halfway through the turn— adjust the wheel and cease its turning, having set the steering mechanism to a precise degree. This adjustment is sufficient to complete the onward arcing of the vehicle’s path as it egresses with no further turning of the steering wheel, until the turning maneuver is completed as I have redirected the Subaru, now on a westward vector instead of the northward one we had previously sped.

Recently on one of my trips homeward, I realized that the reason this maneuver can be performed so smoothly is this:  some engineer designed the exit ramp on what appears to be a perfectly constant curve. Cool! The perfect curve, thought I.

So now I take back everything bad I ever said about freeways and modern vehicular transportation systems.

My new theory is that there is probably no curve on earth more perfect than that one.

Except for one— the curve of my wife’s hip, which I noticed while we were dating many and many a year ago, when I  first visited her family in Charlotte.

Now that’s what ahm talkin’ about! The Perfect Curve.

Curve

King of Soul

Deer February

February 1, 2017

DeerMrn

Yesterday morning the deer passed through;

first there were four; then there were two.

The deer in the snow made a beautiful scene;

compared to the world, they’re much more serene.

DeerTwo

Today came differently, in a fiery surprise

as the sun shone magenta, over the rise.

The news today brings greater probability

unborn babies will get life possibility.

Selah.

Sunrise

Glass half-Full

Coast

October 5, 2016

Clear

Coast is clear

life is dear

without fear

now and here

World turns round

up turns down

some get lost, others found

life goes back to ground

Build the town

structures up, but they’ll come down

lots of noise, then dearth of sound

still the world goes round and round

Another day, another turn

some will learn; some will burn

many earn and some discern

still the world doth turn and turn

Clouds rise up

life is tough

times get rough

lose some stuff

When all is said and done

we live and walk and speak and run

we feel pain but we find fun

until this present day is done.

What then?

Do it all again?

How about find a friend

in the one who died and rose again.

Cloud

Glass half-Full